Inside 'From Russia with Love' (2000)
A behind the scenes look at the James Bond film "From Russia with Love".
Top billed cast
Patrick MacneeNarrator (voice)
Sean ConnerySelf
Martine BeswickSelf
John BarrySelf
Daniela BianchiSelf
Aliza GurSelf
Desmond LlewelynSelf
Peter R. HuntSelf
Dana BroccoliSelf- Syd CainSelf
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Einfahrt in Konstantinopel (1899)
Kaiser Wilhelm II arrives in Constantinople.
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A compilation reel of local movie theatre trailers for upcoming events, such as a “Bug-o-Rama” festival and a “Marathon of Fright.”
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Daybreak Express (1953)
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Football Royal (1955)
Documentary short about an anual football game being helf in Florence, Tuscany in Italy dating back to medieval times.
The Story of Alfred Nobel (1939)
This John Nesbitt's Passing Parade short tells the story of Alfred Nobel, who invented dynamite, and later established the Nobel Prize.
Old Age Porn (1970)
On a search for a couple for a love story with sex beyond the 70 Herbert Götzinger sent me to his colleagues sculptor Ludwig Chateau. During my surprise visit with the running camera, asking if he would be willing to do his part, he attacked me: "Is not that enough what they're doing at this moment?" –LM
Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Heavy Metal Parking Lot Alumni: Where Are They Now? (2006)
Twenty years later, the producers of "Heavy Metal Parking Lot" track down and interview some of the heavy-metal fans originally featured in the 1986 cult classic.
The Captain (2022)
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
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A tribute not so much to the river that runs through the Eternal City, but to that part of Rome that very often remains invisible to the eyes of tourists-the suburbs, with their streets and rituals.
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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
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