This Traveltalk series short visits a large intertribal meeting of American Indians from all over the western United States. Members of about 30 tribes attended the event, which lasts several days. Attendees perform various tribal ceremonies, demonstrate their skills at crafts (pottery, weaving, doll making), and participate in rodeo events.
James A. FitzPatrickNarrator (voice)Chief Laughing WaterHimselfChief StanleyHimselfJulian MartinezHimselfThe film is a portrait of Annie Mae — what she lived for and ultimately died for — a personal perspective of recent Native American history also emerges. The film, winner of several awards, focuses on the long-standing and pervasive problems of Native Americans and was written, produced and directed by Lan Brookes Ritz.
What is it like to be young and grow up on a reserve? Focussing on music lessons, the film reveals the complex relationships that Indigenous youth can have with their “white” teachers. How can two cultures come together? A question the film asks, while inviting us into the private worlds of three Atikamekw teenagers, Myrann, Wapan and Seskin, who are trying to build their future and find a place in this world.
A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.
African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.
An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.
Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
We begin at the train station near Montana's Glacier National Park, where Blackfeet Indians meet the arriving tourists. Glacier Park, an off-screen narrator tells us, has the remnants of 60 glaciers, from three ice ages. We visit the lodge, built in Swiss style, where college students dressed in Swiss garb do the serving at the restaurant. We watch Indian dancing and a ceremony. After views of lakes, mountains, and trails in the park, it's north to Canada's Waterton Lakes, a vacation spot for Canadian and U.S. families.
With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.
Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).
Scenes of daily life in the Indian communities of Ecuador.
In the Sacramento Mountains of Southern New Mexico In the shadow of Sierra Blanca Peak Live the proud people of the Mescalero Apache With a history of peace, and unimaginable struggle The Mescalero live to honor their ancestors While fighting to survive in a modern world This is their story, in their words, from their Homeland Nation.
The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.
In 1870s New Mexico, a half-breed kills a bigoted sheriff in self-defense but the posse that eventually hunts him finds itself in dangerous territory.
A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
A lost film based on the 'Reign of Terror', a real-life series of several dozen murders committed against the Osage people. 'Tragedies of the Osage Hills' was directed by James Young Deer, the first known Native American film director, and boasted a cast of “hundreds of real Indians.” Described as a dramatic thriller interwoven with a “tender love story”, the film’s premiere in Cushing, Oklahoma occurred just months after the arrest of Ernest Burkhart, the subject of Martin Scorsese’s similarly themed 2023 film 'Killers of the Flower Moon'. The 'Cushing Daily Citizen' described 'Tragedies of the Osage Hills' as having a fictitious ending of the Osage and white men united under an American flag.
Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.
A collector, a cop and a minister want to displace a community of tribal people from their mountain homes for their personal gains.