Sweet Bananas (1973)
“Sweet Bananas traces the contrasting lives of some working class and upper class women, who end up all getting along.” -- E. Ann Kaplan
“Sweet Bananas traces the contrasting lives of some working class and upper class women, who end up all getting along.” -- E. Ann Kaplan
To battle a malicious monster, five women are gathered in front of Commander Charles against their will. The five women are selected because they each have a family name that represents a color. The five women are filled with doubts about what they are able to do collectively, but they go up against the monster using their lethal technique "Women Tornado". The five women can only use the "Women Tornado" when they are all gathered together.
It’s Friday night in Asunción and the temperature is 40ºC. Víctor, a 17-year-old wheelbarrow-boy, dreams of becoming famous and covets a cell phone in Mercado 4. He is offered the chance to deliver seven boxes with unknown contents in exchange for $100. This sounds like an easy job but it soon gets complicated. Something in the boxes is highly coveted. Víctor and his persecutors find themselves caught up in a crime they know nothing about.
Notoriously press and camera-shy, David Geffen reveals himself for the first time in this unflinching portrait of a complex and compelling man. His far-reaching influence - as an agent and manager, record industry mogul, Hollywood and Broadway producer, and billionaire philanthropist - has helped shape American popular culture for the past four decades. This documentary offers a rare insight into the world of the man responsible for launching the early successes of Joni Mitchell, Tom Cruise, and Guns N’ Roses; co-founded DreamWorks; produced Cats and Dreamgirls; and is one of the largest contributors to the fight against AIDS. (SBS AU) Geffen narrates his unorthodox rise from working class Brooklyn boy to billionaire entertainment power broker in extensive interviews. American Masters explores the highs and the lows in Geffen’s professional and personal life through more than 50 new interviews with his friends, colleagues and clients, as well as other media luminaries. (PBS)
Taking inspiration from the collaborative 1967 militant anthology film Far from Vietnam, five of the boldest and most prominent American militant filmmakers unite to create this searing (and seething) omnibus work, employing a variety of approaches to reveal the hidden costs of the United States' (and Canada's) most expensive and longest-running war. (TIFF)
An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
An undercover agent is assigned by his corrupt chief to infiltrate a rival department and sabotage their investigation of counterfeit currency. What he discovers is the counterfeiter's real plan. To overthrow the capital. Not by flooding it with funny money, but with an army of undead.
God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.
In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.
Six years in the making, this documentary film follows outspoken indie-rock hero Bob Forrest, through his life-threatening struggle with addiction, to his transformation into one of the most influential and controversial drug counselors in the US today. BOB AND THE MONSTER crafts contemporary footage, animation and compelling interviews with archival performances and personal videos from Bob's past to reveal the complex layers of this troubled, but hopeful soul. Testimony from his peers, including Courtney Love, Anthony Kiedis and Flea add texture, but it's the depth of Bob's music, interwoven throughout the film, that illuminates this unforgettable and inspirational story.
Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie's last dance.
This short documentary is a celebration of life on planet Earth. Made from haunting visual images selected from 50 years of NFB productions, the film looks at human beings, their place on earth, and their deep interconnection with all other beings. Evocations of forces that threaten the planet and all its inhabitants also offer avenues for reflection.
Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.
Lisa 'Left Eye' Lopes was the hip-hop voice of TLC, the best selling female R&B group of all time. On March 30th, 2002, Lisa decided to document her life. She filmed at a mysterious spiritual retreat deep in the jungles of Honduras, but 26 days later, after a tragic accident, she was dead and her unedited tapes were left behind. Last Days of Left Eye is the re-imagining of the film Lisa never got to complete. Revealing private moments from Lisa's journals and home movies, along with highlights from her celebrated career, this film is an intimate journey into the soul of a talented and still provocative young artist. Directed by Lauren Lazin, Academy Award nominated director of Tupac: Resurrection (2005, Best Documentary Feature), Last Days of Left Eye has screened to sold-out audiences at film festivals around the world.
A documentary that examines whether a charity organized by Pat Robertson to aid Rwandan genocide refugees was a front for diamond mining.
Alanis Obomsawin tells the story of Shannen’s Dream, a national campaign to provide equitable access to education for First Nations children, in safe and suitable schools. She brings together the voices of those who have successfully brought the Dream all the way to the United Nations in Geneva.
In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.
A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
For the first time a camera filming a Spanish military academy. The film documents the transformation of some boys who dream of flying and flying planes just military school How the war?
The Set-Up is Kathryn Bigelow's student film at Columbia about the exploration of 'why violence in cinematic form is so seductive'. It featured two men beating each other to a pulp in a dark alley, while two professors analyzed the philosophy of it all on the soundtrack.