
The Ring (1927)
Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.
Carl Brisson'One Round' Jack Sander
Ian HunterBob Corby
Forrester HarveyThe Promoter
Harry TerryThe Showman
Gordon HarkerJack's Trainer
Clare GreetFortune Teller (uncredited)
Tom HelmoreSpectator (uncredited)
Alfred HitchcockMan-Dipping Attraction Worker (uncredited)In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.

A low caste boxer, Shravan, trains at a gym controlled by a local Don, Mishra. Shravan falls for Mishra's niece, Sunaina. Mishra does not approve of this match. Shravan strives to win Sunaina's hand in marriage and become a successful boxer while trying to avoid retaliation from Mishra.

Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.
It was the first film version of the Hunchback of Notre Dame.

Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.

Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.

When two brothers organize the robbery of their parents' jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.
Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.

Cynical British journalist Fowler falls in love with a young Vietnamese woman but is dismayed when a naïve U.S. official also begins vying for her attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy.
Yeong-deuk and Jeong-sun and engaged. Yeong-deuk comes back home after completing his studies and meets the wrong kind of friends who revel in liquor and women.

Because he can't accompany his father, a German army officer, on his next deployment in Somalia, 15-year-old Tim has to move in with his grandmother on the North Sea island of Amrum. There, the cool skater from Berlin, who seems to magically attract problems, immediately loses his reputation as a freak and difficult outsider. Only chubby Eric, who suffers teasing and attacks from the surfer clique around rich Lars, stands by him. When Tim also falls in love with pretty Vic, Lars' girlfriend, a fight is inevitable.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.
When the hard-working bread-winner Katja and Hendrik the intellectual meet Saida, an illegal immigrant from Algeria, and accept to organize a "passport marriage" between her and Hendrik, they are caught up in a chain of events and feelings over which they have no control.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.

Siren is a stone-cold bookie with a score to settle and a temper hotter than a .45 in July. When a slippery debtor tries to skip town with her money, she tears through the concrete jungle, Birkin swinging, to take back what's rightfully hers. They say payback's a bitch—turns out she's got a name.

In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self-confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali's personal and professional lives face the ultimate test.