Top billed cast
Glauber RochaSelf (archive footage)
Roque AraújoSelf (archive footage)
Carlos DieguesSelf (archive footage)
Arnaldo JaborSelf (archive footage)
Nelson Pereira dos SantosSelf (archive footage)
Juliet BertoSelf (archive footage)
Paulo AutranSelf (archive footage)
Jece ValadãoSelf (archive footage)
Geraldo del ReySelf (archive footage)
Ana Maria MagalhãesSelf (archive footage)
Similar to Glauber Rocha em Defesa do Cinema Brasileiro
Cinema Novo (2016)
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
An Indian in War - Life and Work of António-Pedro Vasconcelos (2019)
A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.
In the Interstices of Reality or The Cinema of António de Macedo (2016)
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
going away
Gabriel decides to go back to his home town. In the way, he meets "El Signo del Caos".
Roberto Pires: Êle Fêz O Cinema Baiano Nascer (2024)
Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.
Digest Diversity (2023)
Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.
Barren Lives (1963)
In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
Antonio das Mortes (1969)
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
Macunaima (1969)
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
Entranced Earth (1967)
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
Black God, White Devil (1964)
Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
How Tasty Was My Little Frenchman (1971)
Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.
The Guns (1964)
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
The Ridiculous (2024)
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
Boi de Prata (1981)
Somewhere in Rio Grande do Norte's countryside, Brazil, the wealthy farmer Elói Dantas (Álvaro Guimarães) decides to increase his patrimony even further by exploiting ores. To do this, he tries to appropriate the small site of Antônio Vaqueiro (José Marinho). Desperate, Antônio rushes to the aid of the gypsy healer Maria dos Remédios (Luiza Maranhão) and the poet and dreamer Tião Poeta (Lenicio Queirogo) to face the greed of Elói.
That's It, That's All (2008)
Dedicated to everything snowboarding, Travis Rice and a dream team crew set out on a seek-and-destroy operation for the new zone, the new trick and the new perspective on the sport. Aspiring to bring you closer, the Hi Def, 35mm, super16 footage answers the question why Trice and his friends have poured blood, sweat, tears and soul into a simple thing like snowboarding.
My Name's Ben Folds – I Play Piano (2023)
A symphonic concert spectacle featuring rock maestro Ben Folds with the Adelaide Symphony Orchestra, combining the power of orchestral grandeur with the intimacy of close contact with the musicians. Audience participation peaks as Folds achieves the extraordinary feat of inducing the crowd to sing a choral refrain in three-part harmony. Interwoven with Folds’ personal narratives of the inspirations for his songs, the film transforms enthralling live performance into a unique portal revealing the creativity of the song writing process.