Welcome to My Life is a glimpse into a day in the life of Douglas, aka T-Kesh, a Monster-American teenager. He’s doing his best to fit in, and make it through high school. On the inside he’s just like other humans, but there’s no hiding when you are literally a monster on the outside. In this mockumentary short, we see how even day-to-day life can be hard when you’re so very much not like the others.
Jackie BuscarinoTeacher (voice)
Anne ItoMom (voice)Doug ItoT-kesh (voice)Ed ItoDad (voice)
Elizabeth ItoNarrator (voice)
Ian Jones-QuarteyIan (voice)Cole SanchezLucas (voice)
Eddy Table, known from the comics of Dave Cooper, makes his screen debut in this animated short. One day, Eddy gets lost in a dark forest. There he meets an alluring girl infected by a mysterious parasite. Love and violence ensues.
In the main events of Ice Age: Collision Course, Scrat is captured by Scratazons who take away his acorn. Now, Scrat must rescue his Acorn and escape before the aliens can catch him.
A blue dwarf and a red dwarf get into a vicious argument. Each ultimately calls upon a matching giant to protect them, with unexpected results.
What to do if you happen to stumble upon a crow, who is really dead.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
An elephant saves an unfortunate whale from being paraded in front of the public and takes it away with the circus caravan to put it back into the sea.
A nightwatchman who works at a pesticide plant manipulates chemicals (of which he treats a strange garden of marrow-like vines in his apartment) , causing evolution to accelerate, in this short illustrating the harmful effects of human interference with nature.
An allegorical tale of a couple who attempt to renew their dying relationship by plugging directly into recordings of their memories.
Having suffered the loss of their plane, three pilots inexplicably find themselves stranded in the middle of the desert. While following the perilous and unpredictable course that will ultimately lead them home, they fall prey to visions and must confront the siren call of their own strange fantasies. With Pilots on the Way Home, Priit and Olga Pärn (Divers in the Rain) have created a new, satirical meditation on male-female relations. The film tackles masculinity and the male psyche with the same pointed sense of the absurd that has marked Priit Pärn's previous films. Pilots on the Way Home is also a journey through time and space, and to the universal sources of artistic eroticism. Olga Pärn is a master of the art of animating sand, giving Priit Pärn's unique line drawings a warm and subtle texture reminiscent of etching. Her work is perfectly matched to the impassioned beats of this tale.
My name is a “cockroach”. I was called that from childhood.
Bo Peep explains what happened to herself and her sheep between the events of Toy Story 2 and Toy Story 4.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
A rapturous, BAFTA Scotland-winning eulogy to the short life span of stop motion animation puppets.
The process of being encroached by the persona.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.
Lisbon, 1980, the city, the intensity, the chaos, the noise, the crowd. Overwhelmed by the commotion, a young woman sets off in search of peace in the palace gardens of Sintra. Her red umbrella glides across the pearly whiteness of the rising mist.
On the hilly lands of Portugal, a fire breaks out. Right after the blaze come the ashes, and following the ashes, the forest begins its rebirth.