
The Married Woman (1964)
A superficial woman finds conflict choosing between her abusive husband and her vain lover.
A superficial woman finds conflict choosing between her abusive husband and her vain lover.
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Joe is the head of an itinerant combine crew, working the harvests against rival crew boss Alperson. Joe's buddy Jim joins the crew with startup money. Farmer's niece Fay falls for Joe. He puts her off. To get back she marries Jim whom she prods into high-grading the grain (skimming off some for private sale). The last payment on Joe's machinery is due just as he discover's what his buddy has been doing.
The sensuous wife of a lunch wagon proprietor and a rootless drifter begin a sordidly steamy affair and conspire to murder her Greek husband.
During WWII, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town.
A day in the life of photo model Liv. But it's no ordinary day. She breaks up with her fiance, father and her own empty life as a model, and has to find a new place to live. But is it that easy to make a clean break?
Tensions rise when a U.S. military base is built in a small village in post-war Germany.
Based on the documentary "Our Brand Is Crisis", this feature focuses on the use of American political campaign strategies in South America.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.
Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
A fictionalized account of the first major successful sexual harassment case in the United States — Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.
Harry is a young millionaire on holiday; he takes his yacht to a Greek island, and stays in the mansion of his friend...
A hardened mercenary in the Foreign Legion begins to find his own humanity when confronted with atrocities during the fighting in Bosnia.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.