While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.
Kyle McCullochEinar the Lonely / Minstrel
Michael GottliGunnarAngela HeckSnjófridurMargaret Anne MacLeodAmmaHeather NealeGranddaughterDavid NealeGrandsonDon HewakJohn RamsayRon EyolfsonPastor Osbaldison / PatientChris JohnsonLord DufferinDonna SzökeFish Princess
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
A bunch of spectators trapped in a cinema theatre.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by development. the forces behind it are demanding him to leave, but also consequently push him further and further into his not-home.
A young bride flees the ceremony with a stranger and, together, they set off on an epic journey though increasingly bizarre lands. They encounter talking animals and mournful exhibitionists, converse with a discoursing rock, journey through a surrealist's psychedelic hotel, instigate a prison riot, escape from naked cannibals living in a tree, and battle a wind-up midget dictator!
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Short experimental 16mm film.
A former circus artist escapes from a mental hospital to rejoin his armless, cult leader mother, and is forced to enact brutal murders in her name.
Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.
After encountering Lensface at the 2019 Unnamed Footage Festival, Filmmaker Travis Z. (Cabin Fever 2016, The Midnight Man) became obsessed with the voyeuristic cryptic, and spiraled into madness, leaving only this bizarre collection of surreal and horrific footage.
Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
An obsessive Vine star goes down a road of surreal imagery, as his obsession with the application develops into murder.
A serial killer stalks a woman he befriended after her car broke down.