Documentary celebrating the British sitcom and taking a look at the social and political context from which our favourite sitcoms grew. We enjoy a trip through the comedy archive in the company of the people who made some of the very best British sitcoms. From The Likely Lads to I'm Alan Partridge, we find out the inspiration behind some of the most-loved characters and how they reflect the times they were living in.
Rebecca FrontSelf - Narrator (voice)
Steve CooganSelf / Alan Partridge
James CordenSelf / Smithy
Hugh DennisSelf
Lee MackSelf
Dick ClementSelf
Richard CurtisSelf
Jack DeeSelf
Michael GradeSelf
Jonathan HarveySelf
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
A documentary exploring the legacy of Star Trek: Deep Space Nine, the reasons it went from the black sheep of Star Trek to a beloved mainstay of the franchise, and a brainstorm with the original writers on what a theoretical eighth season of the show could look like.
Animated character Fat Albert emerges from his TV universe into the real world, accompanied by his friends Rudy, Mushmouth, Old Weird Harold and Dumb Donald. Though the gang is flabbergasted by the modern world, they make new friends, and Albert attempts to help young Doris become popular. But things get complicated when Albert falls for her older sister, Lauri, and must turn to creator Bill Cosby for advice.
Phil Hartman hosts this retrospective look back at the legacy and making of the classic 1966 holiday special 'How the Grinch Stole Christmas!'
A struggling young comedian takes a menial job on a cruise ship where he hopes for his big chance to make it in the world of cruise ship comedy.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
A 90-minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs
Celebrates 30 years of televised specials by The National Geographic Society.
A retrospective look back at Jim Henson's 1986 fantasy film 'Labyrinth'.
A retrospective look at Jim Henson and Frank Oz's 1982 fantasy film 'The Dark Crystal'.
During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.
Documentary looking at the history of Hollywood musicals in the 1960s. This decade saw independent film companies becoming more prominent as the bigger Hollywood studios, who produced the mainstream musicals, experienced a decline. This brought the emergence of more realistic story lines and the use of contemporary music like rock 'n' roll. This programme features songs from the musicals 'West Side Story' (1961), 'The Music Man' (1962), 'Mary Poppins' (1964), 'The Umbrellas of Cherbourg' (1964), 'Funny Girl' (1968), 'Oliver!' (1968) and 'Sweet Charity' (1969).
In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.
A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."
A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.
While Ron Burgundy's rivalry with Veronica Corningstone escalates quickly, a group of unprofessional thieves better known as 'The Alarm Clock' try to make the truth known, whatever that may mean...
Otto Zühlke is speechless when his wife Doris finally arrives back at her family home after long weeks of training. She decides not to let her husband get away with such a thing and the expected night of love is over for the time being. Otto comes to his senses and keeps his word, and Doris can finally embrace her husband.
In a world governed by commerce, Ricky and Kate, dedicated employees, find their lives forever changed when they encounter the enigmatic stranger G. As they navigate the realm of commerce, their paths intertwine in a surreal dance of love, loss, and redemption. G's presence, amplified through the pervasive influence of globalized television, casts a spell that reverberates beyond Ricky and Kate, impacting the lives of those who bear witness to their intertwined destinies.
A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
Sketch comedy loosely organized around parodies of televsion genres.