The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.
Jerry GarciaSelf (archive footage)
Bob WeirSelf
Mickey HartSelf
Bill KreutzmannSelf
Phil LeshSelf
Ron McKernanSelf (archive footage)
Brent MydlandSelf (archive footage)
Donna GodchauxSelf (archive footage)Keith GodchauxSelf (archive footage)Vince WelnickSelf (archive footage)
Set 1: Hell in a Bucket(Grateful Dead cover) Alabama Getaway(Grateful Dead cover) Jack Straw(Grateful Dead cover) Big Boss Man(Jimmy Reed cover) Peggy-O([traditional] cover) Bertha(Grateful Dead cover) (>) Cassidy(Bob Weir song) Don't Ease Me In(Henry Thomas cover) Set 2: Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Truckin'(Grateful Dead cover) (>) China Doll(Grateful Dead cover) (>) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Althea(Grateful Dead cover) (>) Standing on the Moon(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) Encore: The Weight(The Band cover)
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
Set 1: Shakedown Street(Grateful Dead cover) (Bob and John shared vocals) (>) Bertha(Grateful Dead cover) (John and Bob shared vocals) (>) Ramble On Rose(Grateful Dead cover) It Hurts Me Too(Tampa Red cover) (John Mayer on vocals) Dancing in the Street(Martha Reeves and the Vandellas cover) (John and Bob shared vocals) Althea(Grateful Dead cover) (John Mayer on vocals) Let It Grow(Grateful Dead cover) Set 2: China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) St. Stephen(Grateful Dead cover) (Bob and John shared vocals) (>) Uncle John's Band(Grateful Dead cover) (John and Bob shared vocals) (>) Drums(Grateful Dead cover) (with Joe Russo) (with Oteil) (>) Space(Grateful Dead cover) (>) The Eleven(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) U.S. Blues(Grateful Dead cover) (Bob and John shared vocals) Black Muddy River(Grateful Dead cover) (John Mayer on vocals)
After failing to make it big as a rock band, four Indian Americans in 1960s San Francisco attempt one last rebrand to ride the hippie wave and finally get their big break.
Set 1: Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) Here Comes Sunshine(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Loose Lucy(Grateful Dead cover) (with 'Take Me to the River' tease) Friend of the Devil(Grateful Dead cover) They Love Each Other(Jerry Garcia cover) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) Set 2 Playing in the Band(Bob Weir song) (>) The Wheel(Jerry Garcia cover) (with 'Diamonds on the Soles… more ) St. Stephen(Grateful Dead cover) (> 'William Tell Bridge' >) The Eleven(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Dark Star(Grateful Dead cover) (verse 2) Althea(Grateful Dead cover) Stella Blue(Grateful Dead cover) (>) One More Saturday Night(Bob Weir song)
Released to coincide with the 30th anniversary of this classic album, learn how Pink Floyd assembled "Dark Side of the Moon" with the aid of original engineer Alan Parsons. All four band members--Roger Waters, David Gilmour, Nick Mason, and Richard Wright--are interviewed at length, giving valuable insights into the recording process. The themes of the album are discussed at length, and the band take you back to the original multi track tapes to illustrate how they pieced together the songs. With individual performances of certain tracks from Roger, David, and Richard included, this is an essential purchase for any Pink Floyd fans, and a fascinating artefact for rock historians everywhere.
View from the Vault, Volume One, sometimes known simply as View from the Vault, is the first release in a series of DVDs and companion soundtracks by the Grateful Dead known as "View from the Vault". The audio is taken from the soundboard and the video from the video screens at the concerts. The first volume was recorded and filmed at Three Rivers Stadium in Pittsburgh on July 8, 1990 with bonus material recorded two days earlier at Cardinal Stadium, Louisville. The set was certified Gold by the RIAA on February 2, 2001.
Originally produced in 1997 as part of the Classic Albums television series, this newly edited, expanded edition features almost 40 minutes of additional content not see in the original feature. Bassist Noel Redding, drummer Mitch Mitchell and co-manager Chas Chandler detailed their contributions while engineer Eddie Kramer re-examined the many multi-track tapes created during the sessions. Help from Jimi's `friends and passengers' came by way of new interviews with drummer Buddy Miles, Jefferson Airplane bassist Jack Casady, Traffic's Dave Mason and Steve Winwood, among others.
This documentary explores the Deadhead phenomenon. For thirty years, Jerry Garcia played guitar and sang for the Grateful Dead, and by doing so, inspired a modern cultural phenomenon: the legions of nomadic fans that made a communal way of life out of following Jerry and the Dead, the Deadheads. The End of the Road began shooting three months prior to Garcia's death in 1995, on the road with the wandering family of Deadheads- on what would be the final tour with Jerry and the Grateful Dead. Featuring a soundtrack by Merl Saunders and Jerry Garcia, the film celebrates this social, political and cultural movement in its twilight.
Grateful Dead show on July 17, 1989 at Alpine Valley.
From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.
Billy, an aspiring artist and musician, grapples with the challenges of growing up, navigating heartbreak, anxiety, and a myriad of nightmares. His quest leads him on a surreal odyssey through his dreams, where he seeks to unravel the deeper significance of his many concerns.
Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jennie anyway.
Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)
The Grateful Dead performs live at Winterland in San Francisco in October 1974.
Set 1: Good Times(Sam Cooke cover) Scarlet Begonias(Grateful Dead cover) (>) Deal(Jerry Garcia cover) Black-Throated Wind(Bob Weir song) Dire Wolf(Grateful Dead cover) Bird Song(Jerry Garcia cover) Going Down the Road Feeling Bad([traditional] cover) Set 2: They Love Each Other(Jerry Garcia cover) (>) Terrapin Station(Grateful Dead cover) (>) He's Gone(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (> 'The Other One' verse 2 >) Days Between(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Encore: One More Saturday Night(Bob Weir song)
A future classic was unleashed in January 1967 as the Doors released their eponymously titled debut album. This documentary in the Classic Albums series takes an in-depth look at the album, with commentary from Bruce Botnick, who worked on the album, and the three remaining Doors--guitarist Robbie Krieger, keyboard player Ray Manzarek, and drummer John Densmore. The three band members also play some of their instrumental parts from the album, offering invaluable insight into how the songs were constructed.
Jerry Garcia, legendary lead guitarist for the Grateful Dead and David Grisman, virtuoso mandolinist and founder of "Dawg" music… Now, for the first time ever, the musical matrimony and extraordinary friendship of Garcia and Grisman is traced in the award-winning documentary Grateful Dawg.
The Flaming Lips recorded live at The Southgate House in Newport, KY in 1988.
This documentary interviews young people on war, religion, music, sex, and other topics. Part of NBC's Experiment in Television.