Stranger in the City (1961)
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
Sydney BromleyTramp
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
A teenage girl growing up in dangerous Khayelitsha township is faced with a difficult decision in the wake of a traumatic event. Olwethu Anita April and Lungisani Dyalvani star in this short film.

An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.
A mini-documentary which further explores allegations made in HBO’s Leaving Neverland, that the King of Pop sexually abused two young boys. Through interviews with those closest to the situation, as well as members of Jackson’s family, the film sheds light on information that was excluded from HBO’s broadcast.

A spirited teenager tricks her older sister into joining her on a deceptively simple outing.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The earth shook. The sea roared. And then… There is a small house solitary standing by the seaside. A young girl has been living there alone since that fateful day. Mail is no longer delivered, but even this morning, she’s hanging out the laundry as usual. She’s unaware that all around her, the clothes pegs are quarreling, the pillow argues with the umbrella about the outside world, and the new toothbrush is unsuccessfully trying to charm the grumpy older ones. Do objects exist to be used until they are consumed or broken? Are they afraid of being thrown away once their life cycle is complete? A delicate story of hope in a cruel and gentle world after an unnamed disaster.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

When 9-year-old orphan Oliver Twist dares to ask his cruel taskmaster, Mr. Bumble, for a second serving of gruel, he's hired out as an apprentice. Escaping that dismal fate, young Oliver falls in with the street urchin known as the Artful Dodger and his criminal mentor, Fagin. When kindly Mr. Brownlow takes Oliver in, Fagin's evil henchman Bill Sikes plots to kidnap the boy.

Chris, a former tennis pro, takes a job as an instructor and befriends his wealthy young student, Tom. After being introduced to his family, Chris is soon engaged to Tom's sister, Chloe. Despite the professional and financial advantages that this relationship affords him, Chris becomes obsessed with Tom's fiancee, American actress Nola.

Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.

Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.
The story is about a businessman who is on his way to see the woman he is having an affair with when he gets stuck in an elevator with a little girl. Through their interaction the man realizes he is still in love with his wife and comes out with a new perspective on life.

This short film examines the origins of several superstitions including crossing your fingers, knocking on wood, rabbit's feet, and breaking champagne bottles to christen ships, plus the role of superstitions in the Flying Dutchman tale.

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.

Fei is the top violinist of an elite London youth orchestra. When another Chinese violinist arrives to challenge her place in the orchestra, Fei’s anxieties and internalised racism grow to take monstrous physical form. They whisper to her, urging her to be the best, no matter the cost.