Top billed cast
Frank-Markus Barwasserhimself
Similar to Pelzig stellt sich - live
Victor/Victoria (1982)
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.
Back in the Saddle - Fascinating Aïda in Edinburgh (2016)
Fascinating Aïda are a three woman (Dillie Keane, Adele Anderson and Liza Pulman) cabaret act that have been performing for over 30 years. This show was recorded live at the Edinburgh Festival Fringe in 2016, in George Square Gardens.
Kinky Boots (2005)
Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.
Prohibitions (1984)
It is a Zeki-Metin comedy that satirizes the bans in the Republic of Turkey.
Najib Amhali: I Amhali (2016)
Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.
Gabriel Iglesias: Hot and Fluffy (2007)
Gabriel Iglesias is one of the fastest-rising comics today! With his unique brand of humor, lovable stage presence and wide range of voices and impressions, it's no wonder that he already has a huge fan following. Now you can see Comedy Central's "Comic of the Year" in his sold-out performance at the historic Fox Theatre in Bakersfield, California!
La Cage aux Folles (1978)
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.
Caught in a Cabaret (1914)
Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.
Can-Can (1960)
Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.
The Ogre of Athens (1956)
A peaceful, frightened little man is mistakenly identified as "The Dragon", a notorious criminal at large. He briefly and reluctantly rules the underworld until they realize their mistake.
International House (1933)
Foreign investors converge on a luxury hotel in China to bid on a new kind of radioscope. But, this is a hotel where Burns and Allen are the in-house medical staff, a measles risk sends the whole building into quarantine, and a madcap millionaire crashes dinner in his autogyro. Hotel and radioscope become a stage for an all-star cast of comedians and musicians, from vaudeville to the new generation.
Theo Maassen: Onbekend Terrein (2023)
Registration of the eleventh theatre program by the Dutch comedian Theo Maassen.
El patrullero 777 (1978)
Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.
Ronald Goedemondt: Dedication (2011)
Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.
Roland Reber's Cabaret of Death (2019)
ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea