
Naughty Marietta (1935)
In order to avoid a prearranged marriage, a rebellious French princess sheds her identity and escapes to colonial New Orleans, where she finds an unlikely true love.
In order to avoid a prearranged marriage, a rebellious French princess sheds her identity and escapes to colonial New Orleans, where she finds an unlikely true love.
In this comedy, actor Hugh Herbert plays six different roles. Only one of the roles is a man. The story centers around a dizzy music lover, who has grown rich through real estate deals. Also figuring in the story are a cab driver/performer, and a down-on-her-luck, aspiring singer. They meet when she hails his cab as she skips out on her former boarding house because she cannot pay rent.
The plot centers on a husband-wife radio team, Dick (Rudy Vallee) and Virginia (Helen Parrish). When Dick is caught in an innocent but compromising situation with brassy blonde showgirl Hortense (Iris Adrian), Virginia is encouraged to inaugurate divorce proceedings by her oily ex-beau Ted (Jerome Cowan). It all winds up in Mexico, with Dick ardently chasing Virginia until she catches him.
In this musical, four entertaining farmboys from Iowa head for the Big Apple to find fame and fortune but find themselves in trouble when a radio sponsor finds himself accused of kidnapping a girl. Songs include: "Septimus Winner," "Peaceful Ends the Day," "Cherokee Charlie," "Let's Go to Calicabu," "Swing-a-Bye My Baby," "Changeable Heart," "If It's a Dream Don't Wake Me," "Since the Farmer in the Dell," "Caliacau," and "Listen to the Mockingbird."
To avoid a costly breach of contract suit, a rich young man marries a nightclub singer.
The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy.
A film director, in bad standing with his studio, tries to turn a local carnival dancer into a "French" movie star and pass her off as his big new discovery.
Silva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promissory note of his expected marriage to Silva within ten weeks.
The whole city is rushing to the circus to see the deadly act of the famous masked artist, the mysterious Mr. X. Among the guests is a rich widow, Countess Palinskaya, for whom any man is ready to perform a feat. But only the mysterious X is able to ignite the flame of love in the heart of the inflexible Countess...
A mysterious man under the name Mister X performs in the circus, playing violin on a chair suspended in the air by ropes. His breathtakingly sad melodies reflect his internal turmoil - he's in love with a noble lady and this relationship is frowned upon in their society.
A young and wealthy widow, Maritsa, is a tempting prize for fortune hunters in search of a rich bride. To scare off all the suitors once and for all, Maritsa randomly invents a fiancé’s name. But it turns out that a man with that exact name actually exists—and now he’s happily rushing to meet his “bride.”
Amidst the chaos of city life, a woman finds relief through dance.
A circus performer falls in love with the son of a plantation owner in antebellum New Orleans. When the young man's stepmother objects to the wedding, the couple break apart and go their separate ways for a time. Also in the mix are two circus comics who feud over the heart of another Southern belle.
The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.
A rebellious young inductee has trouble toeing the line until he meets a retired officer's lovely daughter. James and his band are also drafted and decide to perk up their camp by putting on a big show.
Brit rockers the Kaiser Chiefs are captured live in performance. Tracks include: 'Everything Is Average Nowadays', 'Every Day I Love You Less And Less', 'Heat Lies Down', 'Born To Be A Dancer', 'Can't Say What I Mean', 'Ruby', 'Saturday Night', 'Retirement', 'Oh My God' and many more.
A new kid in town assembles a fledgling rock band — together, they achieve their dreams and compete against the best in the biggest event of the year, a battle of the bands.
In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
Old-time musical star Schyler Jarvis, now wealthy, is dying; his last act is a visionary plan for the future happiness of his son, swing bandleader Louis Jarvis, and Honey Carter, daughter of his long-lost love. But crooked lawyer Talbot has a nefarious scheme to get his hands on the Jarvis money...and it doesn't include any happiness for Louis and Honey. Plenty of swing from Louis Jordan's Tympany Five.
Bob Brent, a young Marine from Arkansas, impresses his comrades with his singing ability, and they pitch in to send him to New York to compete in an amateur contest. Success in the contest, however, sets him up for trouble in romance, in his career, and with the Corps.
Four stories intersect in a zentai meeting hotel, the sexual discipline, and fetish whose practitioners wear lycra suits and rub each other. Mother and daughter recognize each other in a ritual, a man does not decide what to wear, a coach loses his authority and two lovers never see their faces.