Loskutik i oblako (1977)
A girl named Patchwork and the real cloud fight the evil king Fontanius I and his treacherous subordinates.
A girl named Patchwork and the real cloud fight the evil king Fontanius I and his treacherous subordinates.
Klara Rumyanova(voice)
Oleg Tabakov(voice)
Rolan Bykov(voice)
Vyacheslav Nevinnyy(voice)
Rogvold Sukhoverko(voice)
Artyom Karapetyan(voice)
Mikhail Lobanov(voice)
Boris Runge(voice)
A cut-out animation musical adaptation of the Irish mythological epic Táin Bó Cúailnge.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.

Suicidal poet Archy tries to end his life by jumping off a bridge, but awakens to find he has assumed the life of a cockroach and has become a part of a community of creatures living in a newspaper office. He also discovers that he can still write poetry, using a typewriter, and begins to enjoy his new life. Archy develops deep feelings for the lovely but self-destructive cat Mehitabel, but will have to fight to win her from bad-boy tomcat Bill.
Animated story of a sad magician
Conquerors land on a newly discovered planet and try to colonize and explore a new discovered planet.

Based on a poem by Samuil Marshak about an incredibly absent-minded man from Leningrad.
This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.

Set in Bangkok, the film shows the process of urbanization of the city while humans lose control over the consequences of their actions and their greed. The story begins and we move underground to meet the two protagonists: a pangolin couple. The two lovers are living a tranquil life in their hidden city beneath, when their quiet is upset by sudden earth shakes provoked by the drilling of a construction site above. Separated by the cracks in the soil, they begin an adventurous journey to find each other, taking the viewer deeper into the causes of the loss of connection between humans and the earth beneath and ultimately, of the pandemic.

Documentary on industrial lubrification.

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.

An animated adaptation of Poe's famous short story.

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

Hare enlists four brave friends to help him reclaim his home from the wily Fox.

Imagine that you are a renowned chemist, who invents a legal psychoactive drug. Imagine that you push it as a start-up and become the most notorious drug baron of the 21st century. Imagine that all of this is true. How to make a documentary out of this unbelievable story? Let’s animate it, give it rhythm and take the audience on a journey where the high-tech world and academia meet the fauna of the Haifa underworld.

ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.
Terra Incognita is a multi-plane cut out animation made from photocopies of 19th century illustrations made during the race to the poles and drawings by Eric Leiser. For the puppet performance it was flat-rod puppets on a proscenium stage with a screen behind them, onto which the animation Terra Incognita is projected. Many of the sea monster puppets and ships performed in sync with the animated ones, along with splashes of water and powdered chalk to mimic snowfall. These techniques came from my time studying puppet theater in Prague, in 2002, and learning from Svankmajer and Svankmajerova. It was a lot of fun to both animate and to perform live with Jeffrey's wonder score. At the same time the film comments on the colonial race to claim the Arctic by various countries—a race that, in a sense, is still going on today, but this time again for oil—and the murders of the Inuit people who had inhabited the land for millennia.
Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

In the middle of the forest, a bonfire will define the fate of Fayna, a young, colorless girl.
Short experimental animation by Jules Engel