Cowboy Jack Carter, the proud owner of the Australian shepherd Bunk, accepts the challenge of corralling 10,000 wild horses within a 10-day period. With the enormous sum for his efforts, Jack prepares to propose to Jessie Hayden. Unfortunately, Jack's rival, Charlie Champion, seeks to stop him from achieving both of his goals.
Jack HoxieJack Tanner
Fay WrayJessie Hayden
William SteeleCharlie Champion
Marin SaisGrace Connor
Clark ComstockCross Hayden
Jack PrattHenchman
Art MixHenchmanBert De MarcHenchman
Monte MontagueHenchmanRex the DogBunk
Veteran western performers Harry Carey and Marguerite Clayton appeared in three films together from 1923-1924: Desert Driven, Tiger Thompson and, perhaps their best, Canyon of the Fools.
Andy Fletcher is a blacksmith in a country village, but he dreams of racing automobiles. He gets his chance to enter a big race, but winning is complicated by a band of bank robbers.
When Iris Champneys’ marriage to the Earl of Lemister ends in divorce she moves to Africa to operate a tavern. Seven years later she becomes reacquainted with Clement Gaunt, formerly employed by Lemister and secretly in love with Iris, who is on the run after being falsely accused of the murder of the owner of the ranch where he was once foreman. The real culprit, the rancher’s wife Hannah, accused Clem when he refused to run away with her. Iris, learning of his predicament, rides to Hannah Schriemann, telling her that Clem has been executed for her crime. When the police bring Clem to the house, Hannah--frightened by his "ghost"--confesses, and Iris and Clem find a way to happiness.
Wealthy young Billy Bates's greatest fear is that he has inherited his family curse: drink. But when he falls for a beautiful showgirl from the Ziegfeld Follies, she shows him he has nothing to fear.
For the sake of a woman, Robert Morton serves a prison sentence and is disowned by his father, Henry. He is freed after several years and arrives in San Francisco, California, where he meets Camille Balishaw in a Barbary Coast saloon. She offers Robert shelter and aids in his rehabilitation, but his prison record prevents him from holding a job. After Camille and Robert are married, he finds another job and gradually regains his self-respect. Henry has a change of heart and seeks out Robert, asking him to return home, but without Camille. Robert remains loyal to his wife, forcing Henry to relent as he realizes the depth of their love.
Assistant to freight express agent Dave Haskell in the town of Pitt's Junction, Jim Kelly develops strong biceps lifting egg crates onto the daily train. Jim soon falls in love with Dave's lovely daughter Kitty, who, he worries, is interested in city slicker Perry Woods. When Woods steals $2,000 from the station safe, Jim, thinking that Dave took the money, confesses the crime and leaves for Chicago.
Mendoza, who had an affair with the star of the original production of La Vie parisienne in 1900, returns in 1935 with his son and granddaughter. His granddaughter is engaged to a young Frenchman, but Mendoza's strait-laced and puritanical son initially forbids the marriage. The core conflict involves Mendoza and his old Parisian friends conspiring to change the son's mind and convince him to embrace the titular "Parisian life".
A millionaire's health deteriorates when his doctor and family prevail upon him to retire.
Inventor John Turbin vows vengeance when "Iron Man" Moore, a wealthy iron industrialist, steals his plans. Poverty and disappointment make him a derelict, but he forgives his enemy and finds happiness after Moore's daughters, Hope and Joy, befriend him.
After an argument with his father, in which he is accused of stealing, Bill Carmody leaves home. His girlfriend Ethel is mad at him because of his carousing. So he heads out West, but he gets in a railroad accident and saves the life of Appleton, who owns a lumber mill. To reward Bill, Appleton gives him a job, and it doesn't take him long to discern that Buck Moncrossen, the camp boss, is crooked.
Don Mateo, a swaggering Spaniard, tosses women aside without a care. But when he falls under the spell of the tempestuous Concha Perez, it is Don Mateo who finds himself tossed about.
An ex-convict gets released after shooting a fellow who made a play for his wife. When he meets Sleeper, his life takes a change for the better, but along with her comes the boisterous little Collins, for whom she is a governess.
A novelist's success causes a rift between her and her rancher husband.
Rollins' gang wants to grab land by inciting the settlers in a war against the Indians but Winnetou and Old Shatterhand try to keep the peace, until Rollins frames Winnetou up for the murder of Jicarilla Chief's son.
Sergeant Tim Ryerson of the North West Mounted Police is commissioned to round up a gang that smuggles Chinese laborers across the border. While visiting his fiancée, Sylvia Sturgis, at her father's ranch, Tim becomes suspicious of ranch foreman Ferdinand Baird, who is the leader of the smugglers. One night, Tim catches Baird smuggling Chinese across the border to the U.S., but Baird escapes and flees to the Sturgis house where he abducts Sylvia. Tim pursues Baird to Vancouver's Chinatown, raids the smuggler's headquarters, and rescues Sylvia. A lost film.
Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.
After graduating from an Indian school where he has acquired an education and schooling in the ways of the white man. Ta-wa-wa, a young Indian, returns to his native territory and far western home. On the way to the tribe's encampment he stops at Vail's ranch, meets Kawista, his boyhood sweetheart, who greets him cordially and with a frank admiration for his gentlemanly appearance. While they are exchanging greetings the postman enters and hands a letter to Mr. Vail from Col. Leigh, an Englishman, stating that he will visit the ranch with Lord Wyndham, an English lord who expresses a desire to see a real Indian powwow.
Lorna is a woman and she is all business when it comes to running the "L.L." Ranch and she has no trouble in handling it and the "boys" who work for her, especially "Jeff," her foreman, who gives her a hand. She evidently appreciates his services and thinks him a handy and pleasant fellow to have around, her "Runs" are the best in Texas. There is a question of title to her land. Finally the Supreme Court decides against her and she is obliged to turn the "L.L." Ranch over to Sir Reginald Coutts-Harcourt, in whose favor the decision has been made.
The cook has been the bane of many a family, but when it comes to stirring up a western ranch and getting the goats of the cowpunchers there is going to be something doing, and the doing of the something is full of interest, to wit: The cook is not satisfactory and the boys strike for a new "chef." They appeal to the boss and he promises them relief, and it is not long in coming from San Antonio in the person of a very swell fussy French guy, whom they look upon as a huge joke.
From force of habit, some might call him a "Greaser," true, he is a Mexicano; he is no more, a man of noble instinct and chivalrous nature. He falls in love with the American ranchman's daughter, and while she appreciates his sincerity, she does not return his affection for her. Tony not only loves, he respects her, and will not inflict his attentions upon her, and will not inflict his attentions upon her, neither seeking recognition nor reward.