
At the Drive-In (2017)
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
Matt McClanahanSelf
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
An overview of the history of Great Britain's Amicus Films, which was a rival of Hammer Studios in the horror field. Included are interviews with company co-founder Max Rosenberg, cameraman Freddie Francis and director Roy Ward Baker, and clips from various Amicus productions.
An interview with director Paul Annett, focusing on his cult film The Beast Must Die.

Film students are pushed to their limits by the chaotic nature of a film set. As their film goes from pitch to production, they find out what it means to create something meaningful.

A documentary following Terry Gilliam through the creation of "Twelve Monkeys."
Orson Welles presents a proposed film project to prospective investors in Spain. Speaking to an audience of wealthy arts patrons, Welles outlines his vision for an improvised, documentary-style fiction set in the world of bullfighting, centered on a solitary, existential matador who stands apart from his peers. As he expounds on cinema, performance, and the ritualized spectacle of death, the film captures a project that would ultimately remain unrealized.

Surrounded by fans and sceptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film. This film was started in 1970 by Orson Welles but never completed during his lifetime.

In this biting satire of the film industry, an undiscovered actor will do anything to become the next 'Asian leading man' - other than go to therapy.

Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.

Filmmaker Ricardo Trogi recalls the events surrounding his family moving to a new neighborhood when he was 11 years old.

Father Urbain Grandier’s unorthodox views of sex and religion make him a polarizing figure in 17th-century France. His outspokenness has amassed a passionate following of nuns and a respected reputation for protecting the city of Loudon from corruption. Grandier’s influence is then undermined following a sexually repressed nun’s accusation of witchcraft.

As a renowned producer and close associate of Dan Rather, Mary Mapes believes she’s broken the biggest story of the 2004 election: revelations of a sitting U.S. President’s military service. But when allegations come pouring in, sources change their stories, document authenticity is questioned, and the casualties begin to mount.

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

God has had enough of the bad behavior and attitude of humankind, and has decided to start it all over. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to save the world by falling in love.

Modesto, an honest and responsible professional, is a manager of a small bank branch in Costa del Sol. His daughter died in a forest fire which he had thought to be accidental. One day he wakes up in his bank, after being locked and dragged by unknown men, and finds out in a safety-deposit box that the fire was plotted. From that day on, he sets on a personal crusade for justice.

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

A kindly occupational therapist undergoes a new procedure to be shrunken to four inches tall so that he and his wife can help save the planet and afford a nice lifestyle at the same time.
This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.


Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.