Top billed cast
- Tomás Aznar
- María Bravo
Ricardo Franco- Francisco Llinás
Eloísa Muro- Gabriel Ruiz
Francisco Vidal
Similar to El desastre de Annual
H*art On (2017)
H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?
Bird (1978)
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
City Streaming (1990)
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Confession (1986)
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
6-18-67 (1967)
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Rytmus (1941)
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
Letter in Motion to Gilles Jacob and Thierry Fremaux (2014)
Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
The Five Obstructions (2003)
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Private Chronicles: Monologue (1999)
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
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Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.
Hibiscus (2019)
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Man with a Movie Camera (1929)
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
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Pyramid (2014)
Pyramid is a single screen work on Abraham Maslow's theory on the hierarchy of human needs filmed through the rhythms and choreography of middle class South England. Filmed in color and b&w on 16mm film, it continues Salmon's interest in the performance of the artist/cinematographer within both spontaneous and constructed situations and incorporates methods developed by various movements within documentary and avant-garde history. Using an array of sounds, music and conversation as well as silence, Salmon constructs an abstract documentary which both develops and challenges the themes presented in Maslow's theory as well as her own interest in human iconography, stereotype and domestic rhythm. The image of Maslow's pyramid and his pragmatic dissection of human needs and possible motivations provide a system of organization for the family and a philosophical framework for the video.
The Bomb (2017)
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Men Boxing (1891)
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Leonora Carrington or The Ironic Spell (1965)
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
60 Seconds of Solitude in Year Zero (2011)
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Every Wall is a Door (2017)
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
Decasia: The State of Decay (2002)
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.