Top billed cast
Jean RochefortThe interpreter of Fernand Raynaud's sketches
Bruno FontaineThe pianist
Similar to Heureux ?
Ahmed Sylla - Différent (2019)
After having seduced the public with his last one-man show "Avec un grand A" and a detour through the movie sets, Ahmed Sylla returns to the stage full of experience.
Monster in a Box (1992)
Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."
Olivier De Benoist : 0-40 Ans (2017)
After two shows where he delighted his audience with (falsely) misogynistic reflections, Olivier de Benoist returns to the stage, this time decided not to attack women anymore. Finally, less than usual ... With 0/40 years old, where he tells his life from birth to today, the humorist wanted to abandon the macho character who had made his success. But for lack of common thread and inventive staging, the show turns out to be wobbly. Not bad, certainly, with even a few good moments, but not convincing either. If the initiative was laudable, the result is likely to satisfy neither the frustrated fans of not finding everything they liked nor those who wanted to discover Olivier de Benoist in another register. Recorded in La Halle aux vins, parc des exposition, Colmar.
Les duos impossibles de Jérémy Ferrari : 6ème édition (2019)
For the sixth consecutive year, Jérémy Ferrari has assembled a cast of comedians to act out never-before-seen sketch duos for the evening.
Gad Elmaleh : D'ailleurs (2023)
After Sans tambour and an international tour with Oh My Gad! performed in English in more than fifteen countries, Gad Elmaleh is back with a new one-man show, D'ailleurs. An intimate and jubilant show! For nearly two years, the comedian has crisscrossed France with this sixth show mixing stand-up and characters, free of the desire to please. An unfiltered return, eagerly awaited by his audience, to be discovered in this recording at the Dôme de Paris. Gad Elmaleh confides on his daily life, his American adventure, his relationship with his parents, his sons and his former girlfriends.
Gad Elmaleh - L’autre c’est moi (2005)
L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.
Gad Elmaleh - Décalages (1997)
"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.
George Carlin: On Campus (1984)
George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.
Gad Elmaleh - La Vie normale (2001)
La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.
Del Shores: My Sordid Life (2011)
Famed comedian/writer Del Shores (Sordid Lives, Queer As Folk) shares the real-life stories that inspired his writing in this hilarious one-man show recorded live during his critically acclaimed tour across the U.S.
FDR: That Man in the White House (1978)
Actor Robert Vaughn takes on writer Dore Schary's acclaimed one-man play, "Sunrise at Campobello," bringing to life one of America's most beloved and influential presidents: Franklin Delano Roosevelt. Focusing primarily on the political figure's battle with polio, this made-for-TV movie reveals the humanity and grace of the man who led the country through some of its toughest times, including the Great Depression and World War II.
