Filmmaker Jamie Redford embarks on a surprising journey across the U.S. to meet entrepreneurs, community activists and ordinary citizens who are pioneering the use of clean energy technology, often in the most unlikely places, in the process creating jobs, turning profits and making Americans’ lives healthier.
James RedfordSelf
Robert RedfordSelf
Mark RuffaloSelf
Dr George McGavin and Dr Zoe Laughlin set up base camp at one of the UK's biggest sewage works to investigate the revolutionary science finding vital renewable resources and undiscovered life in human waste. Teaming up with world-class scientists, they search for biological entities in sewage with potentially lifesaving medical properties, find out how pee can generate electricity, how gas from poo can fuel a car and how nutrients in waste can help solve the soil crisis. They follow each stage of the sewage treatment process, revealing what the stuff we flush can tell us about how we live today, and the mindboggling biotechnology being harnessed to clean it, making the wastewater safe enough to return to the environment.
A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.
How LFTR, the Liquid Fluoride Thorium Reactor, will unlock abundant clean energy stored in Earth's plentiful thorium.
20 years ago the small town of Wunsiedel was at the edge: businesses had to close, jobs were lost, locals left for good. When a bunch of idealists decided to stop this race to the bottom. They developed a plan not only to put the region's energy supply on a completely new foundation, but also to create new prospects.
CHARGE is proof that maniacs on motorcycles can be a force for global good. The movie follows several teams to the world's first zero-emissions grand prix on the Isle of Man – the most demanding and deadly circuit on the planet – in 2009 and on their return in 2010, 2011, and 2012. For the visionaries, it's history. For the petrol-heads it's blasphemy. What's racing without the sound and fury of internal combustion engines? CHARGE is about the future. It's about change. It's about the dream of a clean, green world. It's about the dream of winning.
A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”
A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.
Bright Green Lies investigates the change in focus of the mainstream environmental movement, from its original concern with protecting nature, to its current obsession with powering an unsustainable way of life. The film exposes the lies behind the notion that solar, wind, hydro, biomass, or green consumerism will save the planet. Tackling the most pressing issues of our time will require us to look beyond the mainstream technological solutions and ask deeper questions about what needs to change.
Short film about regenerative energy sources
Is it possible for the entire world to switch to decentralized and renewable energy sources by 2030? In this inspiring documentary, we meet with German politicians, scientists, farmers, social workers, activists and visionaries who say yes, and who all push forward for a global change in climate by changing the local power supply sources to renewable energy. Director Carl-A. Fechner is not ready to give up on our planet just yet, and POWER TO CHANGE is a welcome antidote to the pessimism that defines our era's visions of the future.
A documentary detailing a collection of amateur footage of tornadoes in the United States for over 50 years.
A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.
Gaga has travelled through time with her ever changing sound, reinventing herself for every album, award ceremony and red carpet. With a strong fan base behind her, she continues to reign as one of the biggest pop stars of the industry.
Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.
On July 30, 2018, documentary filmmaker Alexander Rastorguev was killed in the Central African Republic. He left a unique mark on Russian cinema, but managed to do much less than he could. "Rastorguev" - a portrait of one of the brightest and most free filmmakers of our time; direct speech and fragments of films, forming a single statement about the meaning of art, homeland and pain.