Top billed cast
Sadri AlışıkRıfkı
Neriman KöksalSelma
Meltem MeteLeyla
Kayhan Yıldızoğluİsmet
Sedat DemirNusret
Hüseyin GülerSelim
Similar to Toto Kralı
Bülbül Ailesi (1976)
The Bülbül family consists of Hazım Bey and his wife Asiye Hanım, their daughter Nevin, their son-in-law Ramazan, and their son Tosun. Hazım Bey retired after thirty years of civil service. Ramazan is caught between enduring his mother-in-law's sharp remarks, trying to fulfill his father-in-law's various requests while he stays home all day, and dealing with his brother-in-law Tosun. Tosun, who cannot hold down a job, falls in love with every woman he sees, and when he receives a negative response, he attempts suicide. He will once again cause trouble for his family.
Zoraki Milyoner (1962)
The story of a millionaire on the run from his enemies and a young man who looks like him. Events begin when two people, one a millionaire and the other a poor man, who look like twins, swap places.
Berduş (1969)
Kemal and Nuri are two friends who make a living as street vendors. They live together in a house they rent from Mrs. Mualla. The two friends' business is not going well. Their customers are not satisfied with their goods. On top of that, they are in trouble with the police. They cannot pay the rent because they cannot make ends meet. Moreover, they now need even more money. They have become friends with two cousins they rescued from drowning. Nermin and her cousin are impressed by Kemal and Nuri’s sincerity. Their friendship is growing. The two friends are too ashamed to mention their financial difficulties, so they don’t let it show. However, things are getting increasingly complicated.
Salak Bacılar (1975)
Keramettin Mirzani's lawyer, Mahmut Ceyyah, comes to Istanbul and tells Lawyer Zeki to inform the heirs. One of the heirs is named Gülsüm Bacılar. However, Gülsüm Bacılar, who lived in the village, passed away years ago. Gülsüm Bacılar's four daughters and one son-in-law come to Istanbul to collect their share of the money. Another heir, Memduh Bey, agrees with Lawyer Zeki to also take Gülsüm Bacılar's share. Osman, the fiancé of Sümbül, one of Gülsüm Bacılar's daughters, will understand the situation, and the truth will come to light.
Vuruldum Bir Kıza (1968)
Fadime and Memiş, who are in love with each other, are children of enemy families. Their families oppose this relationship. A theater company arrives in the village, where Berkant performs. Memiş and his father go to Istanbul with the company to find a bride. Fadime runs away from home to become a singer. In the city, she meets Berkant and begins working as his maid. Over time, she falls in love with Berkant. To win his favor, she completely changes her appearance. She begins performing on stage as Afrodit. She also uses Memiş to make Berkant jealous. However, nothing will go as planned.
Balıkçı Osman (1973)
Osman lives with his mother. His only dream is to buy a boat, earn more money from fishing, and marry Mualla. His older brother Zekeriya, who is involved in shady business, is wealthy but does not help them. Osman goes to his brother's place to improve his mother's living conditions and overhears a secret conversation. His brother is planning to rob singer Meral. Osman decides to protect Meral at any cost.
Yırtık Niyazi (1971)
Niyazi and Sansar live a poor life in a boarding house. The boarding house owner, Binnaz, brings Gül, whom she met in prison, to live at the boarding house. Gül and Niyazi fall in love with each other. One day, Gül, who is singing at a nightclub, catches Tanju's attention. Tanju offers Gül a position as a lead singer. This incident will cause a rift between Gül and Niyazi.
Saffet Beni Affet (1976)
Saffet, who came to Istanbul from his village without a penny to his name, starts working as an apprentice. With the money he saves, he buys a sherbet cart and starts selling sherbet. He then owns a shop and a chain of fruit juice factories. Despite being very wealthy, Saffet leads an unhappy life. To alleviate this unhappiness, he marries three times. These three women, who are very different from one another, will make Saffet's life a living hell.
Bir Damat Aranıyor (1968)
Intersection of the roads of twins allotted years ago.
Fatoş Sokakların Meleği (1971)
Ayşe is the child of a poor family. Her father, Rıfat, has been in prison for many years. After her father is released from prison, he forces Ayşe to beg and steal. Fatoş is the spoiled child of a wealthy family. Her father died in an accident. She lives with her mother and grandfather. One day, she sneaks out of the house to play outside. While walking on the street, she encounters Ayşe's father, Rıfat. Rıfat mistakes Fatoş, who resembles Ayşe, for his own daughter. He takes her home by force. Ayşe, meanwhile, is caught stealing by a man. While chasing Ayşe, the man ends up at Fatoş's house. The gardener mistakes Ayşe for Fatoş and takes her inside. The two children unwillingly switch places. They explain the situation to their families, but no one believes them. This mix-up will change the lives of both children.
Oh Where (1975)
Three boys are having their higher education in Istanbul. In fact, they are messing around and dealing with radical politics, girls and gamble. However, the oldest discovers love, and the three realize it is time for change.
Delisin (1975)
A shy introvert falls for the photographer who took her pictures during high school. Confused and worried, she doubts that love will elapse and can never open up to her lover. Yet she cannot runaway from love.
Küçük Hanımın Şoförü (1970)
Ömer is the extravagant son of a wealthy family. His grandmother prepares a will in order to put an end to her grandson's wastefulness. According to the will, Ömer will only be able to inherit his fortune on one condition: that he work for a year in a job that will teach him about life. Following his grandmother's unexpected death, Ömer begins working as a driver for a wealthy family. However, his relationship with the family's young daughter, Neriman, will take on a different dimension over time.
Nöri Kantar Ailesi (1975)
Nuri Kantar lives a happy life with his wife and relatives. He is the chairman of the board of directors of his company. Kuşkonmazoğlu is a member of the board of directors and a partner in the company. Due to a mix-up caused by their similar names, Nuri Kantar is believed to have died. Taking advantage of the situation, Nuri Kantar hides himself to observe what will happen after his death. Kuşkonmazoğlu attempts to defraud the company in Nuri Kantar's absence. When Nuri Kantar, who has been quietly observing the events, emerges, everything will come to light.
Fıstık Gibi (1970)
Fikri and Naci are musicians. One plays the accordion, the other the darbuka. One day, Selim and his men raid the nightclub where they are performing. They kill Sülük Niyazi and everyone else in the nightclub. Fikri and Naci manage to escape from Selim and his men. They join the entourage of a girls' orchestra that is traveling to Kuşadası to perform at a hotel, disguised as women. This desperate measure they take to save their lives will lead to trouble.
Sevgili Hocam (1972)
Mehmet Kumru is a literature teacher at a private school. Mehmet, who is naive, is expelled from school because he has difficulty controlling his class. At this point, he receives a job offer. Leyla, the young and beautiful daughter of a wealthy man who lives in a mansion, has failed her literature class. Leyla dreams of becoming a singer. However, her father is opposed to Leyla's plans to become a singer. Mehmet Kumru is hired to teach both literature and music at the mansion. The father's true intention is to distract Leyla and dissuade her from pursuing a career on stage. However, Leyla will use Mehmet for her own purposes.
Şampiyon (1970)
A night club singer decides to join a troubled boxing champion evading police investigation. The trust chains are broken between the two the night the champion gets in a fist fight single-handedly before his wife is murdered.
Kumarbazın İntikamı (1966)
Murat was very young when his parents separated. He left his father's mansion with his mother and never saw him again. However, this distance does not prevent him from suspecting his father's suicide. As far as he knows, his father is not the type of person who would commit suicide. He believes there is a secret behind this. The old man, before his suicide, had lost his mansion—his last remaining asset—at the gambling table where he sat for the last time. Before dying, he wrote four names on three gambling cards, leaving behind unanswered questions. Murat will set out to uncover the meaning of this clue, whose significance he does not yet understand.
Oğlum (1972)
Orhan is a wealthy man who owns racehorses. His horse, Hakan, consistently wins first place in races. Orhan's rival, Tufan, always trails behind Orhan with his horse, Yıldırım. The emotional closeness between Tufan's niece, Jale, and Orhan's son, Murat, will continue with their upcoming engagement. However, Tufan harbors resentment toward Orhan. On one hand, he consistently finishes behind Orhan in races. On the other hand, if Jale and Murat marry, Tufan will lose his guardianship rights. For this reason, Tufan takes action to prevent Jale and Murat's marriage.
Gölgedeki Adam (1970)
Ekrem is attacked by unknown assailants. When he wakes up in a hospital room, he realizes he can't remember anything. Fearing that his attackers will return, he escapes from the hospital. The only way he can survive is to regain his memory. As Ekrem discovers his past, he finds himself caught up in a web of international intrigue.