
The Number of Completion (2017)
Short documentary about Twin Peaks: The Return.
Short documentary about Twin Peaks: The Return.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.
Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.
Join visionary director James Gunn and superstars such as Chris Pratt and Zoe Saldaña as they recount how “Guardians of the Galaxy Vol. 3” was conceived, shaped, and delivered to the world. And stand alongside the cast and crew in the emotional final moments of the shoot as they bid farewell to each other, and close this chapter in the saga of Peter Quill and his loveable band of misfit-warriors.
Through in-depth interviews with cast and crew, and exclusive behind-the-scenes footage, Assembled uncovers how Marvel Studios’ “Secret Invasion” was born. Witness what it took to conjure the world of the show, and spend time with Samuel L. Jackson as he dons the patch once again to engage in the most baffling battle of Nick Fury’s career.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nick Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, special visual effects artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual effects historian Justin Humphreys, and music historian Daniel Schweiger.
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
Rated X, a short documentary about the adult industry, focuses on giving a voice to the porn actresses working within it. In a perspective of showing how these women empower themselves with their job, Rated X shows the porn industry like never before.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Go behind the pre-production, production, and post-production process of making New Line Cinema's Final Destination 3, exploring the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong, and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.
Five of the original Muppet performers come together for the first time ever to share behind-the-scenes secrets of the Muppets. Includes rare performance footage, surprising stories and insights into how Jim led his team to produce legendary work.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
Documentary about the 1999 film. Featured on the special features for The Blair Witch Project Second Sight Blu-ray release.
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg
Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.