
Coombs (2017)
Routine Pleasures, Slow Cinema.
Routine Pleasures, Slow Cinema.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A sound frame from the silent life
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.
Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Pseudo-ethnological documents about two villages which, without roads and electricity, "stopped existing".
Part Two: SMALL HAPPINESS - Despite the tremendous advances women in China have made, serious problems continue. Long Bow women talk about love, marriage, work, birth control, birth customs and the now outlawed custom of foot binding. Truly moving interviews with Lingqiao and her mother-in-law draw us into their lives.
Short film about Hitler's rise to power in 1933
Affectionate portrait of Timothy "Speed" Levitch, a tour guide for Manhattan's Gray Line double-decker buses.
A documentary about some of the comedians of the silent era featuring clips from their films and biographical information.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.