Adarei Man (I Love) (Sinhalese: ආදරෙයි මං) is a 2018 Sri Lankan Sinhala romance film directed by Prageeth Rathnayake as his maiden direction and produced by Jagath Chandana for Romeo’s Eye Picture. It is the love tale of a rich but kind hearted boy named Pavan and his relation with a middle class girl named Malmi
Chathurika PeirisMalmeePrageeth S. RathnayakePavanRobin FernandoNadika Gunasekera
Chamila PeirisNeil AllesNayana RambukkanageBuddhika Indurugolla
Rajini, a Sri Lankan Tamil girl, narrates the horrific tale of why she had to leave her homeland and become a refugee in India.
This mythological film depicts the romantic relationship between Hindu god Kartikeya and the aboriginal princess Valli.
This is a tale weaving love, betrayal, and adventure. "Mandara" unfolds around the lives of sports star Mandara, engineer Vishwa, orphan heiress Yashora, and her uncle Bharatha. After Mandara and Vishwa's romance leads to heartbreak, their paths cross with Yashora, on the run from her murderous uncle, aiming to seize the family fortune. Their fates intertwine in a story of love, loss, and resilience, leading to a dramatic showdown and a heartwarming conclusion, all set against the backdrop of Sri Lanka's stunning landscapes and accompanied by a captivating soundtrack.
Devi Kusumasana lets you deep dive into a world of stunning visuals, powerful storytelling, and unforgettable performances that explore the essence of love, sacrifice, and the beauty of life. Set against the breathtaking backdrop of Sri Lanka, this film promises to touch your heart and inspire your soul.
A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.
Girl escaped from the police under thundering rainy night hidden in old man house spark a conversation on their past, revolutionary traits with sharing ideologies in arts, culture, feminism and revolution.
Attention (සීරුවෙන්) is a Sri Lankan Sinhala thriller drama film directed by Sudesh Wasantha Pieris and produced by Nihal Wijesinghe for Nilkamal Films. It stars Jackson Anthony in the lead role along with Dasun Pathirana, Buddhika Jayaratne, Dishni Rajapakshe and Semini Iddamalgoda in supportive roles. The film marked the final cinema appearance of the dramatist Jackson Anthony before his death.
Ishara, the only beautiful young daughter of an elderly wealthy plantation owner, Clifford, is attacked by extortionists. Clifford has to pay ransom money to save his daughter. However, when the ransom is paid, the police intervene and try to catch the extortionists, but they run away. Meanwhile, three young men are recruited for new jobs in the tea plantation. A love affair develops between one of the young men, the handsome Sameera, and Clifford's daughter Ishara. Greshan, the estate superintendent, who is strict about this, objects to it. He maintains a secret relationship with Clifford's young wife Sherin. Soon Sherin gets murdered and Ishara and Sameera tries to uncover the secrets behind the murder but then unexpectedly, Ishara gets kidnapped again, and its upto Sameera to solve all the mystries and save Ishara.
A new teacher, Uma (Anasuya Subasinghe), arrives at a school with her first appointment in a remote village near Dambulla in Sri Lanka. The school has few students, with only the principal (Lucian Bulathsinghala) and Uma as the teacher. With the help of Uma the pupils gradually start to dream of bigger things than they ever imagined. One day Upuli, a blind girl, shares her unseen dream with school friends Sukiri and Ukkun. It gradually becomes the dream throughout the village. The children and Uma encounter perils in their venture to realise this dream. The children of the school start to focus on something they have never seen before. This target gives rise to a small revolution.
"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.
An embarrassing problem emerges in a quiet household somewhere in a province of Sri Lanka. The patriarch of a lovely family suddenly dies in front of the TV one fateful night. He experienced something soulfully romantic before his last breath and the most sensitive part of his deceased body still functions without pulse or blood pressure. His two grown sons and a mourning mother are eager to bend down the standing organ to avoid shameful reactions at the funeral.
The story dated back to 1930s prior to Soulbury constitutional reforms. In a rural hilly village called Akiriyankumbura in Wellassa, a beautiful girl, Sedera Menike is protected by her two brothers Dingira and Dungura.
A family loss leads a man on a life-altering journey in which he gains new perspectives on his family, friendships and relationships.
Two friends, Bhanuka and Kalana, arrive in a remote village where Bhanuka falls for Samadhi, the beautiful daughter of the revered Ayurvedic healer, Mr. Wickramasinghe. As their stay unfolds, they uncover a hidden crime in the village.
A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.
A young doctor returns to Sri Lanka with a dream to serve his country, only to find himself caught in a web of love, loyalty, and a dangerous fight against a corrupt system. As he confronts the darker truths behind the healthcare industry, his courage and integrity are put to the ultimate test.
Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.
Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.
An innocent father and his blind daughter with a doll spend their days within the walls of a bunker during the final stages of civil war in Sri Lanka. The surprising third character connects the father, daughter and the doll in a sorrowful manner. The blood tears they shed during the darkest hours are unheard by many. The characters represent the current stages of the tamils in Sri Lanka. The ones who died, disappeared and the living dead.
Gajaman is a henchman of the local politician Magodisthuma. Gajaman's life is turned upside down when Magodisthuma asks him to pick up his daughter and her friend from the airport. The trouble is, Gajaman falls in love with Magodisthuma's daughter immediately as he sees her. Magodisthuma becomes furious when he finds out about this. Gajaman is exiled from his village and he tries to sneak back in with the help of his friend Amdan. The movie revolves around the classic Sri Lankan characters Gajaman and Magodisthuma created by Camillus Perera from newspaper cartoons in the 60s.