
Conversation with Romy Schneider (2018)
During a night in Cologne in 1976, Romy Schneider opens up like she’d never done before. An intimate portrait based on audio recordings of her interview with journalist Alice Schwarzer.

During a night in Cologne in 1976, Romy Schneider opens up like she’d never done before. An intimate portrait based on audio recordings of her interview with journalist Alice Schwarzer.
Alice SchwarzerSelf
Romy SchneiderSelf (voice)
Denis PodalydèsNarrator (voice)
Romy Schneider has been En Compétition ever since 1957 with Sissi, before coming back to the Croisette multiple times, notably for Claude Sautet’s Les Choses de la vie. This exceptional documentary recounts her illustrious career with passion and dedication.

The camera loved her face, it was made for close-ups. And Romy Schneider loved and needed the camera - the film camera as well as the cameras of photographers and paparazzi. Julia Benkert's cinematic exploration of Romy Schneider's many faces shows that the actress's fascinating camera presence has lost none of its intensity even 27 years after her death - regardless of whether she was stylized as a veiled bride and glamorous diva, as in the French film "L'enfer" (1964), or whether she exposed herself to the camera without make-up, as in Hans Jürgen Syberberg's documentary "Portrait of a Face" (1966). Without make-up and in close-up, she talks about her fears and doubts - to this day, the film is an authentic testimony to Romy Schneider's deep inner turmoil. Her husband Harry Meyen had it extensively censored because he thought his wife was too sad.
Documentary about young actress Romy Schneider, capturing just the right moment between her first career as a young actress in mainstream "Unterhaltungskino" ("entertainment cinema") and her second one as acknowledged European arthouse actress.
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An historic Swedish television program featuring Elton John, Nigel Olsson & Dee Murray performing at Gröna Lund, Stockholm, Sweden in February 1971. Aired in English with Swedish subtitles.

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