Let's Sing a Song from the Movies (1948)
This audience sing-along features tunes from four musicals with the lyrics appearing on screen. Numbers include "Am I Blue?" from 1929's On with the Show!.
This audience sing-along features tunes from four musicals with the lyrics appearing on screen. Numbers include "Am I Blue?" from 1929's On with the Show!.
Art GilmoreNarrator (voice)What to do if you happen to stumble upon a crow, who is really dead.

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.


Pioneer of the hang (handpan), captivating musician Manu Delago leads an ensemble of 7 musicians on a mountaineering expedition in The Alps. Along the way, the group perform a collection of brand new compositions in different locations, at varying altitudes.
Using the backdrop and excitement of a local carnival, this soundie short features four different and unique acts, from the fast talking carnival barker (Clyde Hager) and the singing of Jon Peerce to the great jazz music of the Cotton Club Tramp Band and a tap dance routine performed by Three DeLovelies.

Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.
A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.
Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.
In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
This short animation is dubbed a "Paramount Screen Souvenir" is a lost Fleischer Studios Screen Song featuring Betty Boop and Bimbo.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Ethel runs a run down saloon in Nicaragua. Word arrives that the soldiers are pulling out, and most of the American miners and all of the women must ship out on a vessel bound for San Francisco, but her boyfriend has been ordered to remain.
A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.
A medicine show singer finds her love.
Singer Irene is in Reno for a divorce, though her friend Bob tries to convince her it's all a mistake. Then husband Cliff shows up.

Reyna, head of the school choir and daughter of the Parish Office Chair is rattled once her meticulously orchestrated music group is disrupted by the spontaneous and unorthodox new pianist, Sam.