Merce Cunningham: A Lifetime of Dance (2001)
A history of the work of Merce Cunningham.
Top billed cast
- Merce CunninghamSelf
Mikhail BaryshnikovSelf- Earle BrownSelf
Meredith MonkSelf- Richard AlstonSelf
- Bénédicte PesleSelf
- Joan AcocellaSelf
- David BehrmanSelf
- Carolyn BrownSelf
- Gavin BryarsSelf
Similar to Merce Cunningham: A Lifetime of Dance
Helvetica (2007)
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
Japanese Dancers (1894)
Three sisters dance the Mikado in this very early film from the Edison company.
The Sound of Identity (2020)
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Michael Holman Presents The New York City Breakers Volume 1 (1997)
Collection of archive breakdance footage
Genius on the Wrong Coast (1993)
Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts.
Electronic Awakening (2011)
A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.
Masaka Kids, A Rhythm Within (2025)
The story behind the Uganda-based YouTube dance sensations who have endured devastating personal loss from famine and war, and use the power of dance and song to overcome hardship.
Flamenco (1995)
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
The Masseurs (1963)
Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.
Step (2017)
The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
Crescendo (2023)
Set amongst the unlikely backdrop of cowboy boots, rodeos, and global geopolitics, thirty of the world's most promising musicians travel to Fort Worth, Texas to compete in the renowned Van Cliburn International Piano Competition. Vying for gold and their shot at classical piano stardom, the contestants must endure six grueling performances, multiple elimination rounds, and a discerning panel of jurists. Behind the scenes, we uncover the stories of adversity, sacrifice, and heartbreak driving the pianists to perform at the highest level. As fan favorites and early contenders are eliminated, one unassuming genius rises to the top.
Herbert von Karajan: Maestro for the Screen (2008)
Documentary on conductor Herbert van Karajan, focusing on his early adoption of audio and video recording technology and his impetus to make use of it to preserve his musical legacy for future generations.
Back To Africa (2008)
An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.
The Winners (1999)
A searching, melancholy Dutch documentary about the lives of four classical musicians who won the prestigious Queen Elisabeth Competition in Brussels, a victory that did not prove a guaranteed ticket to the top of the classical music world.
Nureyev Unzipped (1998)
Narrated by Terence Stamp, this TV program documents the life and career of famed ballet dancer Rudolf Nureyev, through interviews with friends and colleagues and archive footage.
Restless Creature: Wendy Whelan (2017)
Documentary on the great American Ballerina Wendy Whelan
Rize (2005)
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
Los posibles (2013)
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Pavarotti, Birth of a Pop Star (2017)
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.