Arriving in the small town of Fallwell, Massachusetts to claim her inheritance, horror hostess Elvira receives a less than enthusiastic reception from the conservative locals -- amongst them, her sinister uncle Vincent, who, unbeknownst to her, is an evil warlock.
Cassandra PetersonElvira / Aunt Morgana Talbot
William Morgan SheppardVincent Talbot
Daniel GreeneBob Redding
Edie McClurgChastity Pariah
Susan KellermannPatty
Jeff ConawayTravis
Ellen DunningRobin Meeker
Ira HeidenBo
Scott MorrisSean
Tress MacNeilleAnchorwoman
Employees at a Bennigan's-like restaurant (called, creatively enough, Shenanigan's), kill time before their real lives get started. But while they wait, they'll have to deal with picky customers who want their steak cooked to order and enthusiastic managers who want to build the perfect wait staff. Luckily, these employees have effective revenge tactics.
A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.
Paolo Anselmi is a happily single man. He lives in a flat with a friend but is forced to leave when the friend gets married. He then goes to a boarding house where he flirts with a girl but ditches her when she proposes marriage. When he goes and visits his mother he finds out that she is also trying to find the right girl for him. Is he going to surrender this time?
A movie featuring four stories. First is about a psychotic killer clown stalking a young woman. In the second a scream queen gets more than she bargained for when she is interviewed by a TV talk show hostess. The third is a nature run amok tale and the fourth tells the story of an FBI agent investigating a series of brutal murders in a small town.
After the closure of a coal mine leaves her husband unemployed, Fumiko travels from Kyushu to Kyoto with her daughter Kimiko, and they become hostesses at a cabaret.
Dr. Nam, in his will, requests that his eldest daughter, Jeong-hui(Choe Eun-hui), marry a painter named Dong-su (Nam Gung-won). Jeong-hui is at risk of losing her house due to her father's debt, and a young physician Sun-cheol (Kim Seok-hun) who received his college education with the financial support of Dr. Nam, helps her by selling his own house. Despite his love for her, Sun-cheol cannot express his feelings because he knows of the request in her father's will. When Jeong-hui looks for a job to support her family, Bang, whom Dr. Nam once cured, offers her a position of saloon madam. Meanwhile, her younger sister Myeong-hui (Choe Ji-hui) promises Dong-su her hand in marriage. Jeong-hui, now running the saloon, wishes them happiness. It is only when she gets a proposal from Bang and decides to accept it that Sun-cheol confesses his love for her. Moved by Sun-cheol's true affection for her, Bang gives her up, and Sun-cheol and Jeong-hui exchange vows of marriage.
Following the tragic events of Sting of the Scorpion, Maggie finds herself stripped of her rank and committed to an insane asylum. The crooked cop who put her there offers to procure her release and reinstatement - if she'll go undercover as a bar hostess to spy on the triads. The whole thing's a setup, of course, and soon Maggie is on the run from the law, as well as nursing a bad heroin addiction. She finds refuge in the criminal underworld, where she accepts a job as an undercover assassin. But when her identity is exposed, Maggie has both sides of the law gunning for her life.
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
In order to support her son, single-mother works at a bar that operates an undisclosed adult entertainment business. One day, Ishioka Kazuya comes into the store as a customer, but Ishioka never sleeps with her, and instead just looks at the scenery outside the window.
Julie Strain is the tyrannical interrogator who commands the dark forces of the future. They abduct Jenny, an innocent woman and enslave her inside an invincible steel fortress. Forced to endure mind-shattering torments, she befriends the other female prisoners who commit unspeakable acts in order to survive. Guided by a mysterious spirit of a woman known only as Big Sister, the prisoners find their inner strengths and over come the insurmountable odds.
An outcast gambler hijacks a wagon train of eligible women taken west by a mayor.
A detective tries to remain loyal to his partner, and his best friend - a mobster.
Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.
The sadistic Madam Margareta is a talking side of beef that serves as the hostess and ring leader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces Susanna and Karen, who perform in everything from striptease to S&M acts. Karen meets and eventually runs away with a rich guy. Susanna falls in love with a deceptive airport cargo handler. After several more kinky shows and various soft core sex scenes, Karen is gone and Susanna and her man find out the truth behind each others lies.
Mr. Sprinkles deals with being obsolete.
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
Donizetti’s bubbly romantic comedy about a spunky landowner, a hapless peasant, and the dubious love potion that may or may not bring them together never fails to delight audiences. In this performance from the Met’s Live in HD series, South African soprano Pretty Yende stars as Adina, imbuing her character with lovable warmth while tossing off effortless coloratura passages from beginning to end. Tenor Matthew Polenzani is Nemorino, Adina’s love-struck admirer, who pours out his heart in the moving aria “Una furtiva lagrima.” The cast also includes baritone Davide Luciano as the swaggering Sergeant Belcore and Ildebrando D’Arcangelo as the wily Dr. Dulcamara, and Domingo Hindoyan conducts Bartlett’s Sher’s charming and colorful production.