Rich, spoiled Marian pressures Eric to marry her. Her brother is in love with her friend Mamie, but a scheming ex-husband tries to blackmail her. Mamie is saved from suicide by Eric, who's in a compromising position when he brings her home.
Elaine Hammerstein
T. Roy Barnes
Robert Ellis
Gertrude Short
Tom Ricketts
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
During an annual celebration in which English peasants and aristocrats mingle, the Duke of Loame is thrown from his horse and saved by Ivis Benson, the daughter of a tenant farmer. Both injured, they fall in love, to the dismay of his mother and Lady Eileen, his intended bride.
Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Children's Souls Accuse You is a 1927 German silent drama film directed by Curtis Bernhardt and starring Albert Steinrück, Nathalie Lissenko and Walter Rilla. It was made with an anti-abortion theme.
Like a ticking time-bomb, Ronnie tries to hold his personal relationships and artistic career together while struggling with a debilitating writers block. "A Beautiful Rush" is a silent film that explores what it means to be selfish and lose sight of the blessings life has graced us with.
A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.
A sweet-natured young Irish woman is courted by a romantic poet and a local country gentleman. Which man will she choose?
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...
An aging doorman, after being fired from his prestigious job at a luxurious hotel is forced to face the scorn of his friends, neighbours and society.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.