Top billed cast
Hamo Bek-NazaryanThe Devil
Mariya GorichevaLyudmila- Sergei GudkovLyudmila's son
- P. KozmovskaiaIrisha, Lyudmila's sister
- Olga GladkovaIrisha's daughter
- Vladimir Alekseev-MeskhievMadman
- Nikolai OrlovMadman
- Tatyana MaksimovaThe devil's friend
- S. ChapelskiyThe devil's friend
Similar to The Devil's Scherzo
After the Show (1921)
After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.
The Social Code (1923)
Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.
The Wanderer (1913)
In the valley the world's best "eternal triangle" is being worked between a husband, a much younger wife and "one who covets." On the heights, the shepherd hears the call and for the nonce becomes a wanderer, and descends into the valley of Passions and Pain. It is the gentle, unfelt, almost unseen influence of the wanderer that stops a maddened husband from first murder and then suicide; exposes the frailty of a wife to her own consideration, and points out to her the grim consequences of a moment's folly, and finally takes the "one who covets" away from the born passions of the valley a far journey up the heights, and disaster to three souls.
Fleetwing (1928)
Capturing a beautiful horse and slave girl, Thurya young Arab Jaafor’s happiness is short lived when the girl is sold to a cruel sheik. Sneaking into the encampment he attempts escape with her on horseback but is captured. The attack of an enemy tribe saves him, the sheik is slain, and the young Jaafor’s tribe celebrates his nuptials with Thurya.
Life is a Moment, Art is Forever (1916)
After a man's wife leaves him for a sculptor, his only comfort is a statue of his wife.
At Piney Ridge (1916)
When Cindy Lane becomes pregnant, Mark Brierson, the father, refuses to marry her. Instead, Brierson romances Azalia Deering, whose father, General Deering, owns the town bank. Brierson misuses bank funds, but the bank is saved by Jack Rose, a wealthy farmer. Cindy's father Zeb vows to kill her lover, but she refuses to reveal the man's identity.
Who Killed Joe Merrion? (1916)
Sir Philip Randall, a prominent judge, is fed up with the antics of James, his scapegrace son, and tosses him out of the house. The conflict between father and son leaves Mrs. Randall heartbroken, and when she dies, she makes her husband swear to help James if he ever needs it. When Joe Merrion, a bookmaker, is found dead, circumstantial evidence points to Squire William Rufford. Although Randall can't believe he committed the crime, he is forced to convict him and sentence him to prison. But later, when James, whose wild ways have left him penniless, comes to his father for help, Randall discovers that he was the killer.
The Rescue (1917)
After divorcing her husband Kent, actress Anne Wetherall returns to the stage. Upon receiving a plea for help from childhood chum Nell Jerrold begging Anne to save Nell's daughter Betty from marrying Kent, the ex-Mrs. Wetherall decides to journey to the Jerrold's home in the town of Wheaton to investigate.
Penny of Top Hill Trail (1921)
Penny arrives in the West by aeroplane. She is considered a suspicious character and thrown into jail. Kurt Walters, a ranch foreman and deputy sheriff, discovers that she is the same girl that his friend, Jo Gary, met in Chicago. Gary fell in love with her, but she confessed she was a thief. Since Penny claims she wants to reform, Walters releases her and sends her to live with Mrs. Kingdon. In spite of her teasing and taunts (or perhaps because of them), Walters finds himself falling in love with Penny.
Hell Morgan's Girl (1917)
Roger Curwell (William Stowell) is disowned by his father (Joseph W. Girard) because of his desire to be an artist. But instead of making good as a painter, Roger finds himself drunk and on the skids in San Francisco's Barbary Coast. At a dive run by Hell Morgan (Alfred Allen), he meets Lola (Dorothy Phillips), who nurses him back to physical and moral health.
The Span of Life (1914)
Unscrupulous gambler and drug addict Dunstan Leech has embezzled money entrusted to him. Hoping to cover the theft he plans to wed his mother’s ward Kate Heathcote, who is tutor to his disabled brother Cecil, only to discover she loves Richard Blunt. Unhinged, due to his drug use, he poisons his brother’s food to clear the way to an inheritance while his equally dishonest mother Mrs. Jelf attempts to frame Blunt for theft. That plan fails and Kate & Richard marry departing for the diamond mines of South Africa. Obsessed, Leech follows and kidnaps Kate and the couple’s child fleeing back to England pursued by Richard. Held hostage at Leech’s estate, his dying mother gives Kate the evidence to prove Dunstan’s culpability in Cecil’s slaying but driven mad with guilt and haunted by Cecil’s spirit he commits suicide, and the young family are reunited.
The Seats of the Mighty (1914)
A story of treachery and intrigue, with the outcome of the story contingent upon a packet of "secret papers."
Christina (1929)
This part-talkie (17 minutes of dialogue in its 83-minute running time) tells the tale of Christina, the daughter of Dutch toymaker Niklaas. Much to her dad's dismay, Christina falls in love with sideshow huckster Jan. Likewise disapproving of the romance is Jan's jealous employer Mme. Bosman, who frames the young man on an embezzlement charge.
The Car of Chance (1917)
In his will, Mr. Baird leaves his son Arnold just one seven-passenger auto and a hundred dollars to keep it filled up and in good repair. When James Bennett hears of this, he insists that Baird do something to make his fortune before he can marry his daughter Ruth. Bennett begins by using the car to start a jitney-bus line. This is not terribly impressive to Bennett -- who owns a trolley company -- and he decides he would rather see Ruth married to his controller, William Mott-Smith.
The Charmer (1917)
Genuinely sweet natured, Ambrosia Lee loves to help everyone, soothing their sorrows with her cheerful spirit. Her charms are put to the test, when she tries to save her own Aunt Charlotte's marriage. Happily, all ends well, when her Aunt and Uncle are happily reunited.
The House That Jack Built (1916)
Brakeman Jack Foster is the hero of the story. A happily married father of two, his lack of caution while following his dangerous calling is a constant source of worry to his wife and to his close friend conductor Jim Stevens. Jim trying to point out the risks Jack is continually running tells him stories about what leads to a wreck, how the brakeman lost his leg, another man an eye, and how a third man was knocked from the roof of a boxcar when making a coupling. Lesson learned Jack becomes a model of caution and efficiency.
The Woman Who Did (1925)
A young woman doesn't want to get married, but simply live together with the man she loves. This leads to problems when the man dies and she's left with a child.
Under the Gaslight (1914)
Heroine Laura suffers spectacularly as her romance with her soldier sweetheart is destroyed by malicious gossip.
A Modern Magdalen (1915)
Although laborer Joe Mercer loves factory girl Katinka Jenkins, she agrees to become the mistress of Lindsay, the mill owner, in order to escape dire poverty and cruel parents. Katinka sends Lindsay's money to her family, but eventually, he finds himself unable to pay his employees, and only under Joe's influence are the men prevented from striking. Reformer John Strong, who loves Katinka's sister Olivia, visits Katinka to request that she cease her disgraceful dance performances, but he soon submits to her charms and is passionately embracing her when Olivia enters the room. Katinka then learns of the situation at the mill and realizes that the compromise of her honor has ruined more lives than her own.