
Afternoon Affair: Transformation (1973)
A young boy’s dream of a woman is entrusted to the love of a flower. When that beautiful flower withers and the boy discovers the ugliness of women’s true nature, he vows revenge.
A young boy’s dream of a woman is entrusted to the love of a flower. When that beautiful flower withers and the boy discovers the ugliness of women’s true nature, he vows revenge.
This work chooses three active married women who have already known pleasure and want to have more lewd experiences among women who hide their lewdness, and places them into a situation where they can naturally satisfy their desires...
One day, Reiko, a female college student who aims to be active in the world of mass media, is asked to investigate the actual situation regarding sex among female college students. Reiko infiltrates the girls' dormitory, but as soon as she moves in, Kyoko, who manages her dormitory, forces her to attend a party on Saturday night...
A family drama in which popular sexy actresses Shizuka Kanno and Yuko Shiraki co-starred. The mother, who was said to be a guardian, passed away, and the three brothers and sisters fought for bones and flesh over the whereabouts of the heritage. Tetsuya Takehora, a veteran director of a pink movie known for "Junjo nurashi, Ai Seikatsu" and "Psycho Nobakayarou," picked up the megaphone.
A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.
Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.
A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.
Kresten, newly wed, is on the threshold of a great career success in his father-in-law’s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
Although the married couples appeared to be living ordinary lives with no complaints on the surface, deep down they seemed to be dissatisfied with each other...
A wealthy married woman finds passion with a lover while her husband lusts after his wife’s younger sister. The lover convinces the wife to invest her inheritance in land development and also attempts to steal her money. When the frustrated husband discovers what’s going on he decides that his wife is in need of a little discipline.
At the beginning of the Meiji era, Sayoko, the daughter of a large banker in Tokyo, comes to Sotobo's villa for the first time in eight years, guided by her student, Yasu. In fact, Yasu is the son of Keizo Naya, the keeper of this villa. His father and older sister, Kyoko, live quietly in this place, where people rarely visit, like recluses. Sayoko, who grew up sickly and full of selfishness, treats Yasu, who has feelings for her, like a slave, blindfolds him, makes him help her change clothes, and makes him imitate Sansuke in the bathroom.
Since ancient times, in peaceful fishing villages facing the ocean, village elders still followed the tradition of requiring virgins to marry. In this country where radio wave culture has completely permeated... even now. This is a semi-documentary Nikkatsu that obscenely and abnormally captures this lewd ritual and a world where innocent sexual habits such as night crawling are openly practiced.
A bored and frustrated wife meets an old lover who knows how to satisfy her pent-up passions. Unfortunately she finds out that he runs a call girl business.
Naomi who entered the prison for a younger brother. Female prisoners, Naomi starving for passion will experience various lynch. The world of the shocking imprisonment & abuse between the women who picturized the habits of female prisoners crazy about passion vividly!
Although the two sisters are flesh and blood, they are women after all. This is a film that depicts the woman's conflict between love and sexuality with a flame of unfathomable tenacity, and depicts the ferocity of her human instincts as a sensitive image.
The lonely Jeruza lives in a simple isolated house by the seaside with the siblings Cassandra and Ulisses and the family survives by selling handicrafts for a local store. Her husband, Santiago, is a sailor who has been missing for many years. When the stranger Roque arrives at Jeruza's house late afternoon, he tells her that Santiago was murdered in a bar fight. Jeruza lodges Roque to spend the night and they have a one night stand. He then seduces Cassandra, who loses her virginity with him and he convinces Ulisses to have an incestuous relationship with his sister. Jeruza realizes that Roque, who has a dreadful secret, is a destructive being that is threatening her family. Written by Claudio Carvalho, Rio de Janeiro, Brazil
After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them. Without resorting to exploitation, Tomasz Wiński’s feature debut considers questions that are taboo for many couples. Borders of Love explores not only various forms of intimacy but also ways of depicting it on the big screen, since, among others, the protagonists themselves film each other on their mobile phones. Appearing in the main roles are Matyáš Řezníček and Hana Vagnerová, who collaborated on the film’s story and script as well.
A woman has recently married an adult toy manufacturer. He researches new vibrators in the product development department. She hopes that if she marries such a man, she will be able to use the vibrator as much as she likes and have fun every night, but her husband never uses a vibrator on her. She is extremely dissatisfied with this. Meanwhile, her husband's boss, the section chief, is currently developing an anal vibrator, and in the name of experimenting with it, he only uses the anal vibrator on his wife. Her boss's wife wants him to use a normal vibrator, but she is dissatisfied that he only uses it on her anus. As the wives were talking about this, the new wife expressed her interest in anal vibrators, so they decided to swap husbands and have fun with the one in the front and the one in the back. They immediately decided to swap wives...
Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.
A woman rejects her clingy female lover and pursues a female co-worker. The spurned lover plots revenge and the co-worker has a kinky secret.
A taxi driver kidnaps a fare and imprisons her in his apartment.