The remarkable story of the legendary Motown Records is told through exclusive interviews with the label’s visionary founder, Berry Gordy, and many of its superstar artists and creative figures, as well as rare performances and behind-the-scenes footage unearthed from Motown’s vaults and Gordy’s personal archives.
Berry GordySelf
Smokey RobinsonSelf
Miller LondonSelf
John LegendSelf
Robin TerrySelf
Eddie HollandSelf
Brian HollandSelf
Lamont DozierSelf
Jamie FoxxSelf
Valerie SimpsonSelf
Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.
Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.
The life story of Elvis Presley as seen through the complicated relationship with his enigmatic manager, Colonel Tom Parker.
Presented by Paul McGann, The Cavern Club and LA Factual have come together to produce "The Cavern Club: The Beat Goes On" - a unique documentary feature, telling the untold, complete and colourful story of the 'greatest club in the world'.
An improvised comedy, shot over five days by Shane Meadows, devised with and starring Paddy Considine. Rock roadie and failed musician, Le Donk has lived, loved and learned. Along the way he's lost a girlfriend but he has found a new sidekick in up-and-coming rap prodigy Scor-zay-zee. With Meadows' fly-on-the-wall crew in tow, Donk sets out to make Scor-zay-zee a star...
An Honest and hilarious look at the music industry through the eyes of an all girl rock band.
Three sisters start out singing in their church choir in Harlem in the late 1950s and become a successful girl group in the 1960s.
This documentary pays tribute to the contributions and importance of the title watering hole in the creation of the psychedelic dancehalls that littered the West during the late '60s and helped launch such super groups as The Grateful Dead, Jefferson Airplane and The Quicksilver Messenger Service. Music by Big Brother and the Holding Company, and the Charlatans is also featured. The Red Dog Saloon had its genesis in 1964 when a group of free-thinking, LSD-enhanced Northern California students and young folks had a party and began thinking about starting up a saloon that would evoke the old West. They decided to build their saloon in Virginia City, Nevada, a once prosperous town that was by then nearly empty. The ambience of the saloon blended Old West sensibilities with modern psychedelia, go-go girls and plenty of illegal drugs. The film is comprised of interviews with surviving founders, actual archival footage, and even a performance of some of the musicians who appeared there.
The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.
The northern soul phenomenon was the most exciting underground British club movement of the 1970s. At its highpoint, thousands of disenchanted white working class youths across the north of England danced to obscure, mid-60s Motown-inspired sounds until the sun rose. A dynamic culture of fashions, dance moves, vinyl obsession and much more grew up around this - all fuelled by the love of rare black American soul music with an express-train beat.
James Brown was the jewel in the crown, but the throne of Cincinnati’s King Records always belonged to its irascible founder, Syd Nathan. This is the 70th anniversary of the legendary record label and studio. It closed shop nearly 40 years ago, in a now long-neglected warehouse on the neighborhood border of Evanston and Walnut Hills, but its impact still reverberates across today’s music.
In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.
The record label Death Row Records has, since its creation in 1993, been synonymous with the American hip-hop climate. Formed by ex-bodyguard Suge Knight, the label has released seminal rap albums from luminaries including Dr. Dre, Snoop Doggy Dogg, and the famous hip-hop martyr Tupac Shakur. WELCOME TO DEATH ROW is a fascinating, well-researched documentary which explores the history of this intriguing and incredibly significant company.
Sharon Osbourne presents the story of pop deals through the decades. She looks at some memorably bad and good deals offered to a range of musicians from Little Richard to NWA.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
The haunting story of music executive Drew Dixon as she grapples with her decision to become one of the first women of color, in the wake of #MeToo, to come forward and publicly accuse hip-hop mogul Russell Simmons of sexual misconduct. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
This is the story loosely based on Cleveland disc jockey Alan Freed, who introduced rock'n'roll to teenage American radio audiences in the 1950s. Freed was a source of great controversy: criticized by conservatives for corrupting youth with the "devil's music"; hated by racists for promoting African American music for white consumption; persecuted by law enforcement officials and finally brought down by the "payola" scandals.
The film covers the conflict between a father and his son both being musicians. The father is the leader of a band making rock-music from the 60s but his son becomes a star of techno-pop music.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.