

Top billed cast
Bernard DeromeHimself - Host
Marc SéguinHimself
Louise ArbourHerself
Boucar DioufHimself
Adib AlkhalideyHimself
Yolande JamesHerself
Fred PellerinHimself
Robert LepageHimself
Dany LaferrièreHimself
Jean-Philippe WarrenHimself
Similar to Une identité dans la diversité

Nanook of the North (1922)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Aan ons den arbeid (2007)
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Visions of Europe (2004)
Twenty-five films from twenty-five European countries by twenty-five European directors.

My Life Inside (2007)
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
Alien: American Dream Denied (2023)
Advances in science and technology in America depend heavily on high-skilled legal immigrants from across the globe. But our current immigration system takes an inhumane, unfair, and unwise approach toward these immigrants and their families. Alien: American Dream Denied spotlights the emotional journey of these high-skilled, documented immigrants as they seek permanence in a country that benefits from their talent, but denies them a home.

Boys on Film 23: Dangerous to Know (2023)
Boys on Film presents ten encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results — proving that the age-old adage of taking the plunge is as relevant — and sexy — as ever before. The 10 short films are: My Uncle's Friend [O Amigo do Meu Tio] (2021); Budapest, Closed City [Budapest, zárt város] (2021); Eden (2020); Chaperone (2022); Break Me [Knus meg] (2018); By His Will [שעשני כרצונו] (2021); Red Ants Bite (2019); Jim (2022); Hornbeam (2022); Too Rough (2022).
La ravissante (2023)
In the form of a poetic love letter to its nation, this short film reveals a strong community and the anchoring of the new generation in this rich culture.
All of Me (2014)
"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.


Le goût d'un pays (2016)
Focused on an inspiring and touching dialogue between Gilles Vigneault and Fred Pellerin, the documentary tells the story of Quebec by digging deep into an ancestral tradition etched into our cultural DNA: the production of maple syrup.
The Unwanted: The Secret Windrush Files (2019)
David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.

Harmonium in California (1980)
Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.

The Flood (2021)
The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.

The Devil's Share (2018)
Quebec, on the cusp of the 1960s. The province is on the brink of momentous change. Deftly selecting clips from nearly 200 films from the National Film Board of Canada archives, director Luc Bourdon reinterprets the historical record, offering us a new and distinctive perspective on the Quiet Revolution.
America Unfiltered: Portraits and Voices of a Nation (2024)
Two immigrant filmmakers journey across the US, exploring American identity through raw encounters on politics, race, immigration, and gun control. The film offers an unflinching portrait of America, unveiling hope for our common humanity.

Madwoman of God (2008)
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
Silver Rivers (2002)
In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.