A harsh and dreamy story of a young girl from the American West and her longing heart. Through Betty we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.
BettyHerselfJadeHerself
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
A homemade flying saucer lifts off, and a 6-year-old boy might be inside. National panic ensues — but what truly happened? This documentary investigates.
As a young father, watching his daughter go through her life experiences, film director Alexandre Mourot discovered the Montessori approach and decided to set his camera up in a children's house (3 to 6 years of age) in the oldest Montessori school in France. Alexandre was warmly welcomed in a surprisingly calm and peaceful environment, filled with flowers, fruits and Montessori materials. He met happy children, who were free to move about, working alone or in small groups. The teacher remained very discreet. Some children were reading, others were making bread, doing division, laughing or sleeping. The children guided the film director throughout the whole school year, helping him to understand the magic of their autonomy and self-esteem - the seeds of a new society of peace and freedom, which Maria Montessori dedicated her life work to.
Award winning documentary filmmakers, Robin, Kathy and Shelly Beeck, with the help of filmmaker Michael Moore, have spent the last five years filming a 60-minute feature-length documentary on Bredo Morstoel, a Norweigan who was frozen by his grandson in 1983. Since then, the world famous...well...stiff has been lying under 800 pounds of dry ice in a TUFF SHED behind his grandsons' castle-like house in the 9000-ft Colorado ski town of Nederland. The grandson, Trygve Bauge, has long since been deported back to Norway, but Grandpa Bredo has remained, unwittingly becoming a worldwide symbol of the legal rights of the temporarily dead....
Avs fans can relive the team’s memorable 2021-22 season and 2022 Stanley Cup Playoffs run with the ESPN+ premiere of 2022 Colorado Avalanche Stanley Cup Film.
The short documentary visits the groundhog research center in the Rocky Mountains of Colorado. It was made for Sony Home Entertainment's 15th anniversary edition DVD release of the 1993 film, "Groundhog Day." It was filmed on location at the silver mining ghost town of Gothic, Colorado, near Crested Butte. The Rocky Mountain Biological Laboratory has been located there since its founding in 1928.
A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.
In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.
Race/America follows Robb Holland, one of the few Black professional race car drivers in the United States, as he fights for the GT America Championship behind the wheel of a Ford Mustang. After decades of breaking barriers in a sport known for its lack of diversity, Robb builds his own team—Rotek Racing—bringing together a dynamic, multicultural crew that reflects the change he wants to see in motorsports. This high-octane documentary takes you beyond the track and into the heart of a season-long battle, offering unprecedented access to one of the most diverse teams in the paddock. Race/America is a story of speed, grit, and the drive to make history.
We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?
A documentary about young people with autism, and how arts and creative therapies help them to lead fuller lives.
For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.
The short documentary Legends of Great Outdoors Colorado celebrates the visionaries who put Great Outdoors Colorado (GOCO) into motion three decades ago, creating a unique-in-the-nation resource and an enduring legacy of protecting and enhancing Colorado’s wildlife, parks, rivers, trails, and open spaces. In-depth conversations with legendary Coloradans, including GOCO co-founders Roy Romer and Ken Salazar, tell the origin story, and how the mission is possible thanks to passionate partners across the state, the people of Colorado, and GOCO's funding source, the Colorado Lottery. A combination of intimate interviews, archival footage, present-day scenes, and 8-mm film pays homage to Colorado’s outdoor heritage and GOCO’s continued commitment to conservation and recreation.
Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.
Ten years in the life of young cowboy Crowley as he comes of age in the vastness of Colorado. On his rocky path, he endures loss, separation, and shattered dreams.
The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.