
Ruins (2019)
Two boys run away in order to try to face their feelings. In the hollow of the night, alone, their pains and their fears catch up with them.

Two boys run away in order to try to face their feelings. In the hollow of the night, alone, their pains and their fears catch up with them.
Simon Royer
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
A teenage girl growing up in dangerous Khayelitsha township is faced with a difficult decision in the wake of a traumatic event. Olwethu Anita April and Lungisani Dyalvani star in this short film.

An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.

A spirited teenager tricks her older sister into joining her on a deceptively simple outing.

The earth shook. The sea roared. And then… There is a small house solitary standing by the seaside. A young girl has been living there alone since that fateful day. Mail is no longer delivered, but even this morning, she’s hanging out the laundry as usual. She’s unaware that all around her, the clothes pegs are quarreling, the pillow argues with the umbrella about the outside world, and the new toothbrush is unsuccessfully trying to charm the grumpy older ones. Do objects exist to be used until they are consumed or broken? Are they afraid of being thrown away once their life cycle is complete? A delicate story of hope in a cruel and gentle world after an unnamed disaster.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.

Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.

Will Hunting is a headstrong, working-class genius who is failing the lessons of life. After one too many run-ins with the law, Will's last chance is a psychology professor, who might be the only man who can reach him.
The story is about a businessman who is on his way to see the woman he is having an affair with when he gets stuck in an elevator with a little girl. Through their interaction the man realizes he is still in love with his wife and comes out with a new perspective on life.

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
A young boy and a young girl meet again. In the woods, they love each other one last time.

A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.

Fei is the top violinist of an elite London youth orchestra. When another Chinese violinist arrives to challenge her place in the orchestra, Fei’s anxieties and internalised racism grow to take monstrous physical form. They whisper to her, urging her to be the best, no matter the cost.
The love uncertainties of a young homosexual in search of himself.
A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

A reflection on this generation’s sexual and existential disorientation.