An intimate portrait of Syrian actor Fares Helou, who calls for freedom of speech, is forced out of his home country and experiences the absurdities of exiled existence, told by Syrian director Rami Farah, who films - and shares - his struggle.
Fares Al-Helou
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
They are just 20 years old and are fighting against the Islamic State in the Syrian Kurdish regions. In a region of the world where women normally have to walk three steps behind men, the fact that they are under arms together with their brothers is of particular significance. Their colorful scarves and their courage have made them famous.
"With the barrel bombs falling on Ghouta, civilians sought shelter in the basements of their homes. I was one of them, holding on to my camera, I tried to film what I couldn’t express in words."
For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate.
On 12 February 2012, two journalists entered war-ravaged Syria. One of them was celebrated Sunday Times war correspondent, Marie Colvin. The other was photographer, Paul Conroy. Their aim was to cover the plight of Syrian civilians trapped in Homs, a city under siege and relentless military attack from the Syrian army. Only one of them returned.
A camera crew follows a Jihadi group for a week in Syria
As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.
Co-directors Michelle Shephard and David York take an intimate journey with the mother of a young Canadian woman named Amina who left home to join the war in Syria and become a member of ISIS. From Canada to Europe and Turkey and back again, they work various channels seeking what a CSIS officer calls the “exfiltration” of Amina from inside the so-called Islamic State and into the custody of Canadian officials.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
Wali, an ex-sniper, leaves Canada to fight the Islamic state. He meets two Americans: Rebaz and Zyrian. One is a veteran of the war in Iraq. The other is a homosexual idealist. They meet the Kurds, a welcoming people. Together, they will confront the fanatical Islamic terrorists. Beside Heroes, an uncensored documentary that tells the tale of three volunteer fighters who realized that to change the world, you have to act.
This Rain Will Never Stop takes the audience on a powerful, visually arresting journey through humanity’s endless cycle of war and peace. The film follows 20-year-old Andriy Suleyman as he tries to secure a sustainable future while navigating the human toll of armed conflict. From the Syrian civil war to strife in Ukraine, Andriy’s existence is framed by the seemingly eternal flow of life and death.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
An intrepid archeology professor and his team of students are the only ones who stand in the way of an ISIS illicit antiquities network. Faced with losing their cultural heritage they become spies and they go undercover in ISIS territory. They dodge bombs and militia to create a system to monitor theft and destruction of Syrian antiquities. During this process, they discover more than they anticipated, discovering thousands of trafficked items and that the crimes committed are being enabled by terrorists and multinational corporations. The tragedy continues because the sale of illegal goods are uncovered in the most unsuspecting place.
A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.
Director Junge was commissioned by the GDR in the country for the first time in the summer of 1970; his film In Syria auf Montage accompanies German engineers who train workers in the Homs textile factory. Shortly after filming ended, Hafez al-Assad put himself under the dictator. Twenty years later emerged ... the father stayed in the war over a youth club with Syrian orphans in Bad Saarow, whose fathers had died in the Lebanon war and accompanied them to Syria, where they were housed in separate, elite "schools of martyr children". Multi-faceted documents that oscillate between peaceful and tense, hopeful and unsettled.
While living in a deserted valley in eastern Lebanon, seven-year-old Rahaf describes the wonders of her past, present and future – without knowing the limits of her own imagination.
Fear Us Women follows Hanna Bohman, a Canadian civilian who has spent the last three years in Syria as a volunteer soldier of the YPJ, an all-female Kurdish army, battling ISIS.