Backdrop image for movie Vespro Della Beata Vergine

Vespro Della Beata Vergine (1989)

This large-scale live recording (Gardiner's second) was made in Venice's St Mark's Basilica. It captures the drama as well as the ceremonial aspect of the work, despite sometimes cloudy recorded sound.” Gramophone Classical Music Guide. “Gardiner's second [recording of the Vespers], spectacularly recorded live in St Mark's, has a punchy choral sound, near-operatic solo singing (Bryn Terfel and Alistair Miles are among the basses), emphatic enunciation, big contrasts and deliberate exploitation of the building's spaces. Its outright theatricality sets it apart from other performances.

  • Music

Top billed cast

  • Photo of John Eliot GardinerJohn Eliot GardinerConductor
  • Photo of Ann MonoyiosAnn MonoyiosSoprano
  • Photo of Marinella PennicchiMarinella PennicchiSoprano
  • Photo of Mark TuckerMark TuckerTenor
  • Photo of Nigel RobsonNigel RobsonTenor
  • Photo of Sandro NagliaSandro NagliaTenor
  • Photo of Bryn TerfelBryn TerfelBass
  • Photo of Alastair MilesAlastair MilesBass

Similar to Vespro Della Beata Vergine

Backdrop image for movie Carmina Burana - Carl Orff in Venedig

Carmina Burana - Carl Orff in Venedig (2022)

The Choir and Orchestra of the La Fenice Theatre, conducted by Fabio Luisi, take over Piazza San Marco in Venice for a grandiose concert. Facing the basilica, the musicians perform the famous cantata "Carmina burana", twenty-four medieval poems set to music by Carl Orff between 1935 and 1936.

  • Music
Backdrop image for movie The Metropolitan Opera Centennial Gala

The Metropolitan Opera Centennial Gala (1983)

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

  • Music
Backdrop image for movie Summer Night Concert: 2014 - Vienna Philharmonic

Summer Night Concert: 2014 - Vienna Philharmonic (2014)

The renowned orchestra presents the world's biggest annual classical open air concert live from their hometown Vienna, Austria on Thursday, May 29th, 2014. The Summer Night Concert with the Vienna Philharmonic is an annual open-air event that takes place in the magical setting of the Schönbrunn Palace Park in Vienna with the palace as a magnificent backdrop. Everyone is invited to come to this unique occasion with free admission. Each year up to 100,000 people can take up the invitation, or enjoy on radio and TV in over 60 countries.

  • Music
Backdrop image for movie Waldbühne 2010 | An Evening with Renée Fleming

Waldbühne 2010 | An Evening with Renée Fleming (2010)

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

  • Music
Backdrop image for movie Beethoven Piano Concertos 1-5

Beethoven Piano Concertos 1-5 (1974)

These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.

  • Music
Backdrop image for movie Lisztomania

Lisztomania (1975)

In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.

  • Music
  • Comedy
  • History
Backdrop image for movie Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev

Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev (2011)

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

  • Music
Backdrop image for movie An Evening with Joan Sutherland and Luciano Pavarotti

An Evening with Joan Sutherland and Luciano Pavarotti (1988)

Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."

  • Music
Backdrop image for movie Bruckner: Symphony No. 7

Bruckner: Symphony No. 7 (2014)

In Anton Bruckner’s 7th Symphony, the listener encounters a music characterized by great spaciousness and profound solemnity, a music which speaks of grief and lamentation, but also of their transcendence. With its monumental architecture and intensity of sound, the symphony has moved listeners ever since its triumphal premiere in 1884. The Guardian calls Daniel Barenboim’s London interpretation “Tremendous … Barenboim and the Staatskapelle seem to have this work in their systems, and the overall impression was of music unfolding organically at its own pace rather than of a work being self-consciously interpreted or led.” Anton Bruckner Symphony No. 7 in E major (original version) Daniel Barenboim, conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 25 June 2010

  • Music
Backdrop image for movie Beethoven: Piano Concertos 1-5 - Uchida, Rattle

Beethoven: Piano Concertos 1-5 - Uchida, Rattle (2018)

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.

  • Music
Backdrop image for movie Mahler - Symphonies Nos. 7 & 8

Mahler - Symphonies Nos. 7 & 8 (1975)

Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer/listener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.

  • Music
Backdrop image for movie Mahler: Symphony No. 5

Mahler: Symphony No. 5 (2021)

For Mahler, symphonies always were a means of interpreting the most convoluted philosophical problems that couldn’t be resolved verbally. The ambitious structure of the five-part Fifth Symphony spans from the Funeral March to the roaring finale. It is a forthright attempt to resolve the tragic conflict with the surrounding world. The brilliant fourth part of the symphony, Adagietto, resembles a beautifully mysterious flower that every conductor reimagines in their own style. As one of the twentieth century’s most influential maestros, Mahler redefined the conductor’s role. For him, the conductor is just as integral to his own musical works as they are to the composer. When a maestro steps onto the podium and opens the score, he recreates musical universes from scratch. Teodor Currentzis and the musicAeterna orchestra have performed Mahler’s symphonies around the world for many years. The Fifth Symphony has earned its place as one of the highlights of the cycle.

  • Music
Backdrop image for movie Waldbühne 2017 | Legends of the Rhine

Waldbühne 2017 | Legends of the Rhine (2017)

For their annual season end concert, the Berliner Philharmoniker take the audience on a dreamy, magically journey through the river Rhine with Schumann’s beloved 3rd Symphony Rhenish. Pieces from Wagner’s Der Ring des Nibelungen under the baton of dynamic conductor Gustavo Dudamel complete this evening.

  • Music
Backdrop image for movie Mahler - Symphonies Nos. 1, 2 & 3

Mahler - Symphonies Nos. 1, 2 & 3 (1973)

Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.

  • Music
Backdrop image for movie Brahms The Piano Concertos

Brahms The Piano Concertos (1984)

Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.

  • Music
Backdrop image for movie Bruckner Symphony No. 5

Bruckner Symphony No. 5 (2010)

The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: Both Bruckners belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboims interpretation. The operatic experience of the conductor was almost tangible, revealing the sheer dramatic instrumental battle between Bruckners God and the Devil between heaven and hell without betraying Bruckners unerring sense of striking proportions. The release of this contrapuntal masterpiece (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboims Bruckner cycle with the renowned Staatskapelle Berlin.

  • Music
Backdrop image for movie Europakonzert 2008 from Moscow

Europakonzert 2008 from Moscow (2008)

The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Stravinsky: Symphony in Three Movements Bruch: Concerto for Violin No.1, op.26 Beethoven: Symphony No.7 in A major, op. 92

  • Music
Backdrop image for movie Verdi – Messa da Requiem

Verdi – Messa da Requiem (1967)

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

  • Music
  • Documentary
  • TV Movie
Backdrop image for movie Summer Night Concert: 2018 - Vienna Philharmonic

Summer Night Concert: 2018 - Vienna Philharmonic (2018)

The Summer Night Concert of The Vienna Philharmonic is the world's biggest annual classical open-air concert set in the magical Schönbrunn Palace Baroque park in Vienna. The concert will take place on 31 May 2018 and its theme for this year is 'An Italian Night'. The concert is broadcast on TV and radio in more than 60 countries, and thus reaches an audience of millions. The evening’s repertoire is an attractive combination of extremely popular works for orchestra including the William Tell Overture, the March from the opera Aida and the Intermezzo from Cavalleria Rusticana, as well as famous Soprano arias like Vissi d’arte, vissi d‘amore from the Opera Tosca. Valery Gergiev returns to conducts the Summer Night Concert and is joined by star Soprano Anna Netrebko in what promises to be one of the most popular concerts this year!

  • Music
Backdrop image for movie Pierre et le loup : Avec Jean Reno et Renaud Capuçon

Pierre et le loup : Avec Jean Reno et Renaud Capuçon (2025)

For Peter and the Wolf, premiered in 1936, Prokofiev chose the form of a symphonic tale, featuring a narrator alongside the orchestra. A unique work in which each instrument embodies a character. Renaud Capuçon conducts the Orchestre de Chambre de Lausanne, while Jean Reno takes on the role of narrator.

  • Music