Backdrop image for movie Mussorgsky: Khovanshchina

Mussorgsky: Khovanshchina (2012)

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

  • Music

Top billed cast

  • Photo of Paata BurchuladzePaata BurchuladzeIvan Khovansky
  • Photo of Klaus Florian VogtKlaus Florian VogtAndrei Khovansky
  • Photo of John DaszakJohn DaszakGolitsin
  • Photo of Valeri AlexejevValeri AlexejevShaklovity
  • Photo of Anatoli KotschergaAnatoli KotschergaDosifey
  • Photo of Doris Soffel Doris Soffel Marfa
  • Photo of Ilrich ReßIlrich ReßScrivener
  • Photo of Camilla NylundCamilla NylundEmma
  • Photo of Kent NaganoKent NaganoConductor

Similar to Mussorgsky: Khovanshchina