Donald moves into a new home, and discovers his new neighbor is a slob, a mooch, and has a dog that comes crashing through the fence and digging in Donald's garden. Eventually it escalates into a full-scale war, with crowds cheering and TV coverage.
Clarence NashDonald Duck (voice) (uncredited)
Billy BletcherPete (voice) (uncredited)
A couple's oneupmanship reaches unbelievable heights after a man eats his wife's plums.
Barry, a homespun cocaine dealer, joins Facebook in an attempt to take his business to the next level. However, he soon finds that sharing doesn't always lead to caring.
Oh! What a Nurse! is a 1926 American comedy film directed by Charles Reisner and written by Darryl F. Zanuck. The film stars Sydney Chaplin, Patsy Ruth Miller, Gayne Whitman, Matthew Betz, Edith Yorke, and David Torrence. The film was released by Warner Bros. on March 7, 1926.
During an unfortunate series of events, a friend of Kung Fury is assassinated by the most dangerous kung fu master criminal of all time, Adolf Hitler, a.k.a Kung Führer. Kung Fury decides to travel back in time to Nazi Germany in order to kill Hitler and end the Nazi empire once and for all.
It is a hectic time of year for the Horgans and young Sharon must do her share of turkey plucking. It isn't a particularly fun way to pass the time, although things look up when she meets attractive fellow plucker James. He agrees meet later that night, but when James doesn't turn up it sparks a chain of events that spell disaster for the Horgans…
A short film about love and sexuality in the old age, and the struggle to overcome social conventions.
Two starstruck visitors to Hollywood sneak into the famous nightclub and end up in a Conga contest and get more than they expected.
An older professor longing for motherhood must recalibrate her path to pregnancy when she realizes one of her favorite students is a potential sperm donor.
After a heartbreaking loss, a grandfather struggling to reclaim his passion for painting finds the inspiration to create again.
In a shady haunted house attraction where the performers are assaulting female patrons in order to make a name for themselves, the tables are turned when the performers attempt to take on two women who bring a new level of terror as they do some ass kicking of their own.
A man develops an intimate relationship with a female android.
An allegorical tale of a couple who attempt to renew their dying relationship by plugging directly into recordings of their memories.
BARK is a portrait of a seemingly simple argument between two teenage girls that curdles into a surreal, psychological struggle.
A solitary dish washing robot living out his life in the back room of a restaurant is enlightened to the world that exists beyond his four walls, with the help of a small friend he breaks free of confinement to pursue his dream of exploration.
Having suffered the loss of their plane, three pilots inexplicably find themselves stranded in the middle of the desert. While following the perilous and unpredictable course that will ultimately lead them home, they fall prey to visions and must confront the siren call of their own strange fantasies. With Pilots on the Way Home, Priit and Olga Pärn (Divers in the Rain) have created a new, satirical meditation on male-female relations. The film tackles masculinity and the male psyche with the same pointed sense of the absurd that has marked Priit Pärn's previous films. Pilots on the Way Home is also a journey through time and space, and to the universal sources of artistic eroticism. Olga Pärn is a master of the art of animating sand, giving Priit Pärn's unique line drawings a warm and subtle texture reminiscent of etching. Her work is perfectly matched to the impassioned beats of this tale.
My name is a “cockroach”. I was called that from childhood.