Similar to Nés de sperme inconnu
Marilyn, Her Final Secret (2022)
Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.
SPERMWORLD (2024)
Three men enter the new wild west of baby making, online forums where sperm donors connect with hopeful parents, but find themselves exchanging more than just genetic material.
The Hunt for the Oldest DNA (2024)
Three million years ago, camels roamed through Greenland’s endless forests and our ancestors lived in the trees. It all came to an end with the Ice Ages. What died and what survived, as natural selection shaped the evolutionary tree during this epochal shift from hot to cold? Until now, scientists have known less about the natural world before the Ice Age than they did about the age of dinosaurs, which ended 64 million years ago. A new discovery is set to reveal this lost world, species by species. Led by Danish gene-hunter Eske Willerslev, a team of scientists for the first time in history is sequencing DNA from before the Ice Age. The picture that emerges is of a hot planet, when forests blanketed the Arctic and carbon levels matched those in our atmosphere today. Is this a portrait of our own climate future?
The Melusinas at the Edge of the River (2023)
As she goes through hills and rivers looking for Melusina, a mutant and legendary mermaid from the city of Luxembourg, where she grew up, the director talks to four women about their uncertain identities: what it is like to be an immigrant without being one, and to be a Luxembourgish without being one. A journey through memory in rainy weather. A search for ever-fragmented identities. An uncertain attempt at reconciliation. The memory of emigration from a contemporary perspective of a generation with a radically different relation to territories and displacements.
Adoption International: A Global Scandal (2024)
In the collective imagination, international adoption evokes images of children being saved from a life of destitution in poorer countries by being adopted by families in Europe or America. But the reality that has emerged is one of child trafficking, falsified documents and governments around the world turning a blind eye.
The Foster Family (2022)
Julia always said that her upbringing as a biological child in a foster family was a happy time. But something is wrong. In The Foster Family, we follow director Julia's journey back in time, where she, together with her parents Ewa and Lennart and the foster child Patrik, recollect the shocking events that changed their lives over thirty years ago. The children are at the center of this strong, touching and warm documentary about a system where you can love, but not too much.
Bloom (2022)
Three groups of adolescent girl friends from Quebec are going through tough changes. The process of inventing their own bodies and identity are being recorded on the move by their smartphones and shared with their peers from other parts of the networked world. Due to their strong need of external confirmation, they alter their lives into a series of retouched pictures and videos. The film camera, however, captures their feelings of void, loneliness and deep inner insecurities that are not so attractive for Periscope, TikTok or Instagram. An intimate portrait of adolescence is made with full comprehension of experiencing and self-presentation in a generation growing up on the brink of the real and virtual worlds.
The Flag (2024)
A furious, iconoclastic attack on power and the media in a modern France where Islamophobia has become mainstream and inequality is growing from the suburbs to the boulevards.
Choosing Children (1984)
CHOOSING CHILDREN is a pioneering film about parenting in non-traditional families and helped to open dialogue about the meaning and reality of the "modern family." This film takes an intimate look at the issues faced by lesbians and gay men who decide to become parents after coming out.
State Owned Children (2021)
Following in the footsteps of two women in search of their origins, this documentary lifts the veil on a little-known page of the post-war era: the adoption, as part of a cross-border program, of thousands of children born during the French occupation of Germany.
Homeland Gone (2020)
Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective identity to thrive as a community, politicians use the sectarianism for their corrupt ambitions. Unless there is a change, Lebanon will be lost forever.
Thank You for Coming (2017)
At age 29, documentary filmmaker Sara Lamm discovered that she was conceived via sperm donor. Using her skills as an investigator she decides to dig ever deeper to uncover where half of her DNA comes from.
One "Orphan" Every Hour (2025)
Nearly 250,000 South Korean children were adopted to the West as “orphans” in the 60 years following the Korean War. Some to loving homes. Others to tragic ends. Raised in places where they looked like nobody else, many were told to forget their past and be grateful. But the innate desire to understand where you came from has led many Korean adoptees to search for their roots. In the process, they discover lies in their past and families they never knew existed. In this documentary series, correspondent Wei Du travels around the world to meet Korean adoptees and accompany a few on their journey to reclaim who they are. Together, they reveal how an “orphan rescue” mission separated families and erased the roots of hundreds of thousands.
Scars (2018)
We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.
Through Your Eyes (2026)
In an effort to understand where she came from, Fabiola asked a question that became the central phrase of the film: what would my life have been like if I'd stayed in Haiti? Taking as her starting point her biological mother's precarious economic situation, she had no choice but to entrust her daughter to her care. Fabiola could have ended up restavek, or in a loving foster family, or on the streets abandoned to her fate, or adopted abroad.
Suddenly Sami (2009)
Min Mors Hemmelighet (Suddenly Sami) is a personal film about identity. During the director’s childhood and youth in Oslo her mother never told her about her indigenous Sami background in the Arctic area of Norway. Why didn’t she? And how can the director suddenly become Sami in the middle of life? And does she really want to?