In “The Girl,” art historical traditions of the panorama, landscape painting, and German-Romantic notions of melancholy and the sublime converge with the technological advances of cinema to create a powerful work that both unsettles and inspires.
Elsa HoubenThe Girl
Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.
After a phone call ends in despair, a young woman faces a fatal decision.
Desmond has a secret he cannot share with anyone. His grades are slipping, rumors are swirling and he feels powerless, especially when he sees his sister being hurt, too. With the support of his father and a new friend, Desmond is able to tell his story of being sexually assaulted and end the cycle of abuse. Desmond regains his power when he uses his voice.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Grandma and Grandpa, a couple of old people are trying to hold up the retirement home's cafeteria for a fistful of Toffees.
All eyes are on Brandon, the all-star quarterback of the Demons High School football team, as they get ready to play their first-ever state championship game. With the game looming, Brandon must grapple with his professional ambitions of a college football future and his fear of losing his childhood and best friend James. On the night before the game he must decide whether he wants to live as what he is — or who he is.
A teenager deeply consumed by fantasy struggles to form a meaningful connection — with the lead singer of his favourite band, and a fangirl who is quickly becoming something more. Pulsing with an eclectic rock soundtrack from The Midriffs, Super Defense and Loving, Prash Sampathkumaran has crafted a bittersweet ode to high school crushes, 90's nostalgia and the object of many a teenager's affections: the heartthrob with the guitar.
A dinner party with old friends takes a shocking turn as wounds are exposed, revelations are made, and the past resurfaces. Over one tense evening, Cynthia learns that some things can never be unsaid.
Pigeons are evil, devilish creatures who steal Budapest’s only angel, who protects the city from evil. After the evil deed is done, we discover their otherworldly, terrifying hideout.
Boy Parts is a revenge film about a cult of survivors of sexual assault who kill and eat abusers. Lives are lost, relationships are gained and justice is served.
A nightwatchman who works at a pesticide plant manipulates chemicals (of which he treats a strange garden of marrow-like vines in his apartment) , causing evolution to accelerate, in this short illustrating the harmful effects of human interference with nature.
A demon stuck with spirit board duty falls for a girl on the other side.
Two teenage girls are making love. Then one of them suddenly turns into a boy. After a fever dream everything appears to be back to normal again. Yet it isn’t.
Set in the 1970s, Angela, a college student, returns to her ancestral home to care for her ailing grandmother. She argues with her eccentric mother within the old house’s walls, slowly uncovering hidden truths about her family’s tumultuous past and drawing her into a personal and political labyrinth from which she must find her path out.
Snub is determined to make his new restaurant, The Green Cat, a success— no matter what it takes.
A man develops an intimate relationship with a female android.
An allegorical tale of a couple who attempt to renew their dying relationship by plugging directly into recordings of their memories.
Having suffered the loss of their plane, three pilots inexplicably find themselves stranded in the middle of the desert. While following the perilous and unpredictable course that will ultimately lead them home, they fall prey to visions and must confront the siren call of their own strange fantasies. With Pilots on the Way Home, Priit and Olga Pärn (Divers in the Rain) have created a new, satirical meditation on male-female relations. The film tackles masculinity and the male psyche with the same pointed sense of the absurd that has marked Priit Pärn's previous films. Pilots on the Way Home is also a journey through time and space, and to the universal sources of artistic eroticism. Olga Pärn is a master of the art of animating sand, giving Priit Pärn's unique line drawings a warm and subtle texture reminiscent of etching. Her work is perfectly matched to the impassioned beats of this tale.