
La sombra del otro (1957)
Una divertida aventura de Viruta y Capulina en donde se verán enredados en un lío de boxeadores confundiendo tanto la situación que ni sus bellas amigas los podrán salvar de una gran golpiza.

Una divertida aventura de Viruta y Capulina en donde se verán enredados en un lío de boxeadores confundiendo tanto la situación que ni sus bellas amigas los podrán salvar de una gran golpiza.
Gaspar HenaineCapulina
Marco Antonio CamposViruta
Ana Bertha LepeCecilia
Freddy Fernández 'El Pichi'Víctor Gómez
Teresa VelázquezAlejandra
Canceled in Hollywood, star Lana Cruz heads to her hometown for a comeback. Enter Polly, her fan-turned-frenemy. Can Lana dodge drama and reclaim her fame?

Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.

The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

The simple life and the values of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.

This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.

The life of the musician Juventino Rosas, who despite his talent lived an existence of misfortune and poverty.

Pepe el Toro is married to Celia la Chorreada and they have two children.

Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.

Two young men get involved with some criminals while trying to free the tycoon they kidnapped.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

A poor mechanic is conned into taking the place of a wealthy business magnate so the rich man can take off to work on some major wheeling and dealing. Sure enough, the impostor is trapped in a series of circumstances beyond his control that lead him right to the altar. Once he is wed -- or rather, once the rich businessman is unknowingly wed by proxy, the tycoon returns from his trip with the subsequent surprises in store for all concerned.

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.

Tato and Beto are poor stepbrothers living on a banana plantation in Mexico. Both are talented soccer players, but their dreams lay elsewhere: tone-deaf Tato wants to be a singer, while Beto is content to remain on the plantation. One day, a sports agent sees the two young men playing soccer and offers to take one of them to Mexico City for a chance at sports stardom.

Gabino's son tries to find out why his father was murdered.

Roberto makes a pact with the devil to please his multiple lovers sexually, Satan accepts the deal but promises to snatch his soul when he finds true love. Meanwhile, two cops are on the lookout for those responsible of a murderous drug on the streets.

After mistakenly going to jail, Maria makes friends with a woman whose kids live in the streets and Maria gets the idea to help them.

“Maria, I'm dying!” is a comedy about a hypochondriac man, the only being in the world capable of even terminal colds, and his wife who has to put up with it until he decides to do something about it. The fear of death has never been so fun.