Top billed cast
- Bianca SouzaNarrator
- Carlos OliveiraHimself
- Isabelle OliveiraHerself
- Luiz OctávioHimself
- Mayara SateréHerself
- Wesley MenezesHimself
Similar to Pensando em Pluralidade
A Day at the End of 25 Years (2020)
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
Victoria in Winter (2019)
A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.
The Five Obstructions (2003)
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Impressions from the Upper Atmosphere (1989)
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
23rd Psalm Branch (1967)
Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.
Terra Incognita (2002)
Terra Incognita is a lensless film whose cloudy pinhole images create a memory of history. Ancient and modern explorer texts of Easter Island are garbled together by a computer narrator, resulting in a forever repeating narrative of discovery, colonialism, loss and departure.
Somniloquies (2017)
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Oat Boy (2021)
Folk portraiture, images of children in suburbia.
The Pulse of the Big City (1963)
An experimental film about the city of Stockholm.
Black Waters
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
Duration-Landscape: Road (2012)
The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.
Distance-Landscape: Football Field (2011)
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Distance-Landscape: House (2010)
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
Distance-Landscape: Meeting Between Men (2010)
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Distance-Landscape: Fishermen in the Same Sea (2011)
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Roman Chariot (2004)
A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.
Clouds (1969)
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
H*art On (2017)
H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?
On the Heights All Is Peace (1998)
Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.
Rytmus (1941)
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.