Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
Nina MenkesSelf
Rosanna ArquetteSelf
Penelope SpheerisSelf
Catherine HardwickeSelf
Julie DashSelf
Sheila FrazierSelf
Joey SolowaySelf
Eliza HittmanSelf
Laura MulveySelf
October 2003, Alma and Lila Levy are excluded from the Lycée Henri Wallon in Aubervilliers solely because they were wearing a headscarf. What follows is a deafening political and media debate, justifying in most cases the exclusion of girls wearing head-scarves to school. February 2004, a law was eventually passed by the National Assembly. "A thinly veiled racism" is about this controversy since the affair of Creil in 1989 (where two schoolgirls were excluded for the same reasons) and attempts to "reveal" that maybe what hides behind is the desire to exclude these girls. This film gives them a voice as well as others - teachers, community activists, feminists, researchers - gathered around the group "A School for You-All" fighting for the repeal of this law they consider sexist and racist ... This movie was censured in Septembre 2004 in France.
Julie is convened in the office of the Headmaster because her daughter hit a classmate. An unacceptable behaviour! But Julie does not see it that way and will put words on the unacceptable.
Darren vies for a promotion while facing sexism from his co-workers in a gender-swapped world.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women.
Women are sexually insulted and threatened by men every day. Experts around the world are registering an anti-feminist backlash that seems to be on the verge of becoming socially acceptable. Particularly affected: women in publicly visible positions – such as politicians, actresses or entrepreneurs. Who is behind the attacks and what are the motives?
In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.
Liu Bo-Jiun is the first female international baseball umpire. “First” seems to be an honor, but in a male-surrounded baseball field, the first female must experience an unprecedented review. As she fixes her eyes on every pitch coming forward, people fix their eyes on every judgment she made. If judgments on pitches were personal out of technical aspects, how about those judgments on people? The game begins at three balls, two strikes and two outs. What about her?
Through a training trip, in which the filmmakers also participate, the contrasts that exist between the conservatism of machismo and the new masculinity are evident; testimonies, discoveries and liberation in a circle of men.
Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.
This documentary is about sexism and masculinity. It’s also a journey through reflections on male condition, an attempt to strip away beliefs, myths and prejudices about masculinity. Why is there violence against women? We try to answer that by the hand of a former pimp trapped by his past and an artist, son of a prostitute, who transforms his pain into provocative performances. In parallel, the class of a high school teacher and a team of publicists become debate scenarios on the same theme, while interspersed reflections of several influential men who address the issue of masculinity from multiple points of view. A rich and complex approach that invites us to reflect on our own gender related education and socialization.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
After the death of her abusive father, lonely librarian Martha finds herself caught up in a strange, sadomasochistic relationship with a monstrous husband whom she begins to suspect may be trying to murder her.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its combat services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling Navy SEAL training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.
When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
Following the death of her estranged grandmother, a young girl witnesses the long-repressed hatred and pain within her family. Once they all gather for the funeral, emotionally triggered by the recent loss, she decides to take matters into her own hands.
A merited female scientist is at an international conference and realises that a male moderator is explaining her own theory back at her, until a remark from the audience wakes both speakers and listeners.
