
Mata (2020)
Faced with the advancement of eucalyptus plantations, a farmer and an indigenous community stand as resistance and reveal the impact of monoculture on the environment, in contrast to traditional ways of life. The enemy can also be green.
Faced with the advancement of eucalyptus plantations, a farmer and an indigenous community stand as resistance and reveal the impact of monoculture on the environment, in contrast to traditional ways of life. The enemy can also be green.
Across the Amazon, Indigenous guards are unarmed patrols that peacefully defend ancestral territories against threats like oil, mining and poaching. They use diverse technologies to monitor their lands, and when necessary, force out illegal operations and actors. Most of this daily work, which involves lengthy hikes and patient observation, goes unseen. This film depicts the process of the Indigenous Guard: its patrols, its watchful vigilance over the landscape, and its support of the community. Their work as guards helps ensure that destruction in the Amazon doesn’t advance, and that their community has the vital space it needs to live life on their own terms.
Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.
An enigmatic presence haunts the depths of the Amazon rainforest, where an indigenous Achuar teenager has disappeared. During the search for the young man, his family decides to consult with a Shaman, who, immersed in trance, reveals that the young man was taken by the devil, but that he has intervened by showing him the way back to his home. While waiting for his return, secrets of the rainforest and Amazonian visions of life after death are touched, vanishing the documentary filmmaker’s concepts of reality.
It’s spring in the Ecuadorian Amazon and the Uyantza festival is underway with the community celebrating all that the forest has to offer. Meanwhile, news is breaking around the world that a novel virus is spreading and a state of emergency is declared across the country. As people test positive for COVID-19 in the community, some families decide to leave and head deeper into the jungle. Disconnected from school, friends, the internet, and work, one family learns to reconnect with life in the forest. The children begin to unlearn the national curriculum, and instead are taught Indigenous knowledge that mainstream schools normally pass over. As COVID-19 wreaks havoc around the planet, the family reconnect to their ancestral ways, but as news arrives that Ecuador’s lockdown will end soon, will the family choose to return?
Follows Martin Strel as he attempts to cover 3,375 miles of the Amazon River in what is being billed as the world's longest swim.
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
Explore an extraordinary region where water and land life intermingle six months out of the year.
The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.
This film dives into the world of Amazon, its story and view of the world. It offers a large social fresco backed up by an in-depth investigation where private lives meet the mega-machine.
Filmed in the jungles of Peru, shaman Don Jose Campos introduces the practices and benefits of Ayahuasca, the psychoactive plant brew that has been used for healing and visionary journeys by Amazonian shamans for at least a thousand years.
After a plane crash, four indigenous children fight to survive in the Colombian Amazon using ancestral wisdom as an unprecedented rescue mission unfolds.
A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.
Hamilton Souther is the founder of Blue Morpho Tours, a company that caters to ayahuasca tourists in the Peruvian Amazon. Souther talks about the events that led him to Amazonian shamanism. Five first-time ayahuasca drinkers on a nine-day retreat with Blue Morpho relate their experiences.
Shipibo healer Ricardo Amaringo describes how he prepares, teaches, and shares the plant medicine ayahuasca. Olivia and Julian Arévalo sing examples of icaros (healing songs) in the Shipibo language.