Ian Fleming: The Secret Road to Paradise (2008)
A documentary about Ian Fleming.
Top billed cast
Barbara Broccoli- Oatsie Charles
John Cork- Diane Hartford
- Juliet Hartford
- Tony Hill
- Jerry Inzerillo
- Jordan Klein Sr.
Peter Lamont- Andrew Lycett
Similar to Ian Fleming: The Secret Road to Paradise
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Talking with Ozu (1993)
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Wings of Desire: The Angels Among Us (2003)
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Documentary about the legendary American film director from his introduction to the film industry in its early years to his death in 1959.
King Cohen: The Wild World of Filmmaker Larry Cohen (2018)
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In the Lost City (2009)
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Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.
Michael Curtiz: The Greatest Director You Never Heard Of (2012)
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Almodóvar, todo sobre ellas (2016)
When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.
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Documentary about the life and work of film director Preston Sturges.
QT8: The First Eight (2019)
A detailed account of the life and artistic career of legendary filmmaker Quentin Tarantino, from his early days as a video club manager to the scandalous fall in disgrace of producer Harvey Weinstein. A story about how to shoot eight great movies and become an icon of modern pop culture.
The Golden Gong: The Story of Rank Films - British Cinema's Legendary Studio (1985)
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The Story of 'Frenzy' (2001)
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The Pixar Story (2007)
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Sexo en el plató (2007)
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
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