
Yakuza Vassal (1966)
A young samurai defends townsfolk from evil forces.
A young samurai defends townsfolk from evil forces.
The stage of this work is Saitama, a suburb of Tokyo in the early Heisei period. Immediately after the bubble burst gangster countermeasures law, there were gangsters who defended the last territory and young people who freely controlled the city. The youth conflict escalated day by day and became a force that surpassed the yakuza, and the runaways were sent to juvenile prisons one after another, where exclusive rules awaited.
Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
Gang-cheol is a legendary street fighter in Busan who cleaned up his act to care for his sick mother. Knowing he's desperate for money for his mother's operation, Sang-gon proposes that Gang-cheol works for him.
A boy's nightmares about being stalked by a demon slowly transform into a terrifying reality.
Yakuza Kojima appeared in Yokkaichi in search of her mother who died when she was young. There he met Torajiro, a master of kendo, who had just left prison after slashing his adoptive father who stole his son's wife. Torajiro was on his way to his brother-in-law, Iwai. While talking about themselves, they someday felt something similar to friendship.
Shimazu Clan's third-generation boss, Tetsuo Sakuragi (Yasukaze Motomiya), and his sworn brother, Kenichi Kanamori (Yoshiyuki Yamaguchi), are set to be released from prison. Although Sakuragi plans to personally welcome his brother's return, Eitoshi Kaji (Hitoshi Ozawa) advises against it. Sakuragi dismisses Kaji's concerns, but Kaji reaches out to Tomomatsu Miwa (Naoki Hongo) of the Miwa Clan for support in convincing Sakuragi. On the day of Kanamori's release, it is Kaji, not Sakuragi, who comes to greet him. Witnessing this, Kanamori’s reaction is…
Based on the comic book series by Jun'ichi Nôjô.
The movie is set one year after the events of Mafia Family Yanagawa - Part 1, in which 8 Yanagawas faced off against 100 Devil Dragons in an epic bloody battle. Jiro Yanagawa (Takeuchi Riki) continues his feud with the Devil Dragons as he attempts to usurp their western territory.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Bungo, fulfilling his duty as a yakuza, kills a man from a rival gang. Since then, he has escaped the clan's vengeance by staying on the road with his son Kenichi. Tired of running, the two settle in a mountain town. Bungo finds work as a lumberjack for the Iwasaki family and Kenichi becomes a student at the local elementary school. Regrettably, their good fortune doesn't last. The yakuza boss, Tomitaka, wants control of the town's lumber and is willing to destroy the Iwasaki to get it. Natsue, Kenichi's estranged no-good mother, returns wanting to take part in the boy's upbringing. And shortly thereafter, a mysterious stranger arrives in town to lay claim on Bungo's life...
Shinohara has spent the last 14 years wrongfully imprisoned for the murder of his wife. After finally gaining his freedom, his only thought is of revenge. With the help of a policeman plagued by regret that he helped imprison an innocent man, Shinohara searches his wife’s true killer.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
Two Japanese survivors of the Khmer Rouge massacres in Cambodia vow to find a sanctuary, even if they have to build it themselves. Returning to Japan, they take seemingly opposite paths: one becomes a politician, the other a gangster. As Asami and Houjou work through the linked worlds of politics and crime in modern Japan, they don't hesitate to do anything necessary to secure their own positions and stay true to their vow. Loyal to no one else, they find their friendship increasingly tested as they rise in their chosen fields.
The 224-minute compilation edition of Battles Without Honor and Humanity compiles these four movies: Battles Without Honor and Humanity, Deadly Fight in Hiroshima, Proxy War, Police Tactics.
There is a man, who always win a mahjong game... His name is Ryu the Caller.
1935 Los Angeles, community leader Sei Fujii uncovers the corrupt activities of his community's underground mafia. He must choose between saving the face of his deteriorating community and confronting the issues head on through his newspaper. Based on a true story.
It is the end of the Taisho era (1912-1926), and at the Hanazuki-tei theatre in Asakusa, the famous performance of storyteller Koiso Kikuji and performer Kataoka Koshin is reaching its climax when the Tawaraya family interferes... This is an entertaining action film bursting with righteousness and humanity, centred on men who try to live righteously against a corrupt boss who preys on the performers.