Similar to DEAR ROBERT_
Antoñito vuelve a casa (1969)
In Spain, Antoñito, a child, is punished to remain standing doing the fascist salute. As an adult, turned into a young college student, he tries to free himself from the perverse amalgam of ideas, values and beliefs with which his family, the Catholic Church and the repressive elements of the Franco Regime poisoned his mind during his childhood.
Bark (2016)
BARK is a portrait of a seemingly simple argument between two teenage girls that curdles into a surreal, psychological struggle.
Hum (2015)
A solitary dish washing robot living out his life in the back room of a restaurant is enlightened to the world that exists beyond his four walls, with the help of a small friend he breaks free of confinement to pursue his dream of exploration.
Nayagan Nayagi (2024)
Two tortured souls. Two dirty confessions. One fateful night.
Moving On (2022)
A grieving widower is offered a pill that can help ease his grief by erasing certain bad memories.
Girona (2015)
For twenty-seven years Hart has sought sanctuary in the anonymity of the same suite, the Girona, in the same hotel, on the same night of the year – the 26th October. Into his life walks Sophie, a beguiling young woman with the hint of a dark past, could she be the ghost of his long dead wife?
Outlaws (2020)
In a robbery gone wrong, two women are forced to reckon with their values, livelihood, and relationship.
Split Second (2020)
When a young woman is shoved out of a cafe moments before a grenade is detonated by the very man who commits the attack, she struggles with the guilt of survival as she attempts to uncover the reason why her life was spared when so many others were taken.
Memoirs of a Strangler of Blondes (1971)
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Crazy Love (1971)
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
Helium (2014)
A young boy, Alfred, is dying, but through the stories about Helium, a magical fantasy world, told by the hospital's eccentric janitor, Enzo, Alfred regains the joy and happiness of his life, and finds a safe haven away from daily life.
Do I Have to Take Care of Everything? (2012)
A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.
Switch (2018)
Two teenage girls are making love. Then one of them suddenly turns into a boy. After a fever dream everything appears to be back to normal again. Yet it isn’t.
The Businessman (2014)
The story is about a businessman who is on his way to see the woman he is having an affair with when he gets stuck in an elevator with a little girl. Through their interaction the man realizes he is still in love with his wife and comes out with a new perspective on life.
Behind the Lens (2024)
When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
Diwan (1974)
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
Positively Naked (2005)
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
Weasel (2013)
Weasel, villain of fables, known for sucking out eggs and leaving shells intact. Weasel, a film concerned with man, boy, and rope.
Till Dark (2015)
A teen boy's obsession with his childhood best friend reaches a peak when he discovers she's been spending time with the other member of their trio.