Every night, when the museum closes its doors, the mironins, Blu, Low and Ro, three little drops of paint that live in the paintings created by the Spanish painter Joan Miró (1893-1983), come to life and immerse themselves in an inexhaustible universe where art and imagination reign.
Gemma Ventura SantasusanaCharacters Voice (voice)
A woman must steal a statue from a Paris museum to help conceal her father's art forgeries.
While visiting a museum, two siblings Ben and Kim a fierce electrical storm creates a passage between the real world and worlds within the paintings. They are magically whisked through time to the 1600's and find they must square off against a wicked magician and also locate a valuable jewel in order to return to the present day.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Starring the Academy Award-winning actor F. Murray Abraham, shot in high-definition video, and was transferred to 35mm film. Portrays a performance artist, Jack Narwhal, who cut himself into pieces for display in major museums around the world. In this film, he explains his bodiless condition to a belligerent workman who is setting up another exhibit in the gallery.
The political adviser to Australia's Minister of the Arts investigates the suspicious death of a disgruntled artist.
As the Metropolitan Museum of Art closes, Big Bird decides to leave his Sesame Street friends behind in search of Snuffy. Once locked inside for the night, educational hilarity ensues as Big Bird and Snuffy team up to help a small Egyptian boy solve a riddle - as the rest of the cast searches for their big, yellow friend.
Pepe Le Pew, the eternally amorous skunk, is in Paris, where his stench sends a female cat upward to hit a freshly painted flagpole, which puts a white stripe on her back and causes Pepe to think she also is a skunk. He lustfully pursues her into the Louvre art gallery.
In a museum where the paintings come to life inside their frames, a cleaning lady must decide whether to intervene when a new acquisition portrays the rape of a slave.
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
This film, which documents a controversy over plans to alter the original architectural design of the Whitney Museum of American Art, examines some of the problems raised by the decision, including Modernist and Post-Modernist styles, architecture as art, the responsibility of art museums to the public, and the role of the architect
Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.
To celebrate its 250th anniversary, this documentary tells the story of one of the world’s greatest museums, from its foundation by Catherine the Great, though to its status today as a breathtakingly beautiful complex which includes the Winter Palace. Showcasing a vast collection of the world’s greatest artworks together with contemporary art galleries and exhibitions, it holds over 3 million treasures and world class masterpieces in stunning architectural settings. This is its journey from Imperial Palace to State Museum, encompassing a sometimes troubled past, surviving both the Revolution in 1916 and the siege of Leningrad by the Nazis in 1941-44.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
From the cabinets of curiosities created in Italy during the 16th century to the prestigious cultural institutions of today, a history of museums that analyzes the social and political changes that have taken place over the centuries.
Lao San is a young veteran high in Kungfu power but low in intelligence. After landing on a job as a body guard for a wealthy antique collector, Lao San finds out his boss's plot to rob the National Art Museum.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Paleolithic: a mysterious and enigmatic period. Hard to grasp from today's point of view. How did people live then, how did their communities function? What does the statue of the Venus of Willendorf tell us about them? ... The Venus of Willendorf, an ingeniously crafted 29,000-year-old statue of a woman, is a naked and sensual witness to the early Stone Age. Who does he represent? Is it a real depiction of a woman or an ideal? Is it a tribute to women mothers? Analysis of the famous statue and other archaeological finds from Austria and the Czech Republic shows that Paleolithic life was more diverse than previously thought, including the role of women, who very likely performed the same activities as men. They were hunters of big game and guardians of ancient knowledge. Take us back 29,000 years to people who were a lot more like us than we think.
Upon using a modern art museum as the setting for a role play game that goes hopelessly awry, a deaf couple desperate to rekindle their spark finds the reconnection they seek in their shared experience over an abstract sculpture.