A recording of the performance of the symphonic poem entitled Fairy Tale by Stanislaw Moniuszko at the ‘Ursus’ Factory in Warsaw. It took place in 1952 and was performed by the Warsaw Philharmonic Orchestra under the baton of Witold Rowecki.
Witold RowickiConductor
Old friends. Young friends. Lovers and loners. They all wait, hoping to see something they have never seen before. A Virgin? Thai? Singapore? Hopefully another one for the book. A flask of tea or bottle of wine to keep warm, and every day around the perimeter fence at Heathrow is a plane day.
The hands of a puppeteer control the bodies of two dancers who compete with each other.
Walt Disney animation animated cartoon musical compilation ("The BIG Parade of MIRTH and MELODY"; "Offering hits re-released from 'Make Mine Music' and 'Melody Time'"; featuring cartoons from the 1946 musical, "Make Mine Music," and the 1948 musical "Melody Time") featuring Donald Duck, Joe Carioca, and other Disney cartoon characters, and also songs by Fred Waring and his Pennsylvanians, Benny Goodman and His Orchestra, Frances Langford, Roy Rogers and Trigger, The Andrews Sisters (Laverne, Maxene, and Patty Andrews), Freddy Martin and his orchestra, Sons of the Pioneers, Jerry Colonna, and Ethel Smith
This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.
'Nonsense' piece inserted between Acts Two and Three of Jethro Tull's A Passion Play, which bears no relation to the rest of The Play. In 1973 concerts, the band left the stage after Act Two and a filmed version of 'The Hare...' was shown. A spoken-word comedic interlude (narrated by Jeffrey Hammond with an exaggerated Lancashire accent) backed by instrumentation. Presented as an absurd fable, the interlude details (with much wordplay) the failure of a group of anthropomorphic animals to help a hare find his missing eyeglasses.
José Rodríguez is a current PGA Tour golfer who had a miraculous and equally turbulent border-crossing experience as an undocumented Mexican immigrant in the mid-1990s. This film chronicles José's astounding personal journey, revealing an American Dream that's not always the fairytale it seems.
Documents a southern Ohio story of partnership and creative problem-solving that helped a hospital tackle its PPE shortage.
This short documentary examines the complex range of issues affecting urban transport in developing countries. After examining cost and available technology, as well as the different needs of the industrialized middle class and the urban poor, the film proposes some surprising solutions.
Shows a market where puppies are bought and sold. Several puppies are placed in a cloth bag, and they struggle to break free. One bites through the bag, pokes his head, and is observed in his triumph and then confusion.
A woman wakes up after a car accident in a strange world.
A very unusual wedding unfolds in front of a woman.
Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.
While reconstruction of L’Atalante as a major feature has captured critical attention and debate, we also know that in 1933 even contemporary audiences, critics and politicians grasped the dangerous messages of Vigo’s mini-epic of school rebellion and took their scissors to it while keeping it from the public for more than a decade. Still, alternative versions reached other countries – including a different, early version in Italy – and pieces remain. Together with the rushes, outtakes and on location footage of Vigo during the shoot, Young Devils in School helps us to better understand Vigo’s original vision.
Kaio Brandon is a male prostitute trying to find himself in the big city. He has been selling his body for money since he was 14, unaware that many others like him are part of a worldwide sex industry and human trafficking that corrupts children forever. Kaio wants to change his life and become a nurse, but will h be able to overcome the labels?
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.
A guy is singing in the bathroom, his next door neighbor starts to complain, setting a chain of events in motion.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.