Top billed cast
Julian Beck
Judith Malina- Sylvano Bussotti
Cathy Berberian- Petra Vogt
- Pamela Badyk
- Diana Van Tosh
- Jim Anderson
- Steven Ben Israel
- Franck Hogeboom
Similar to Après la Passion selon Sade
Love and Anger (1969)
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
The Connection (1962)
Eight drug addicts are waiting for their connection in a New York apartment while a two-man documentary team films the proceedings. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
Paradise Now: The Living Theater in Amerika (1969)
A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
Emergency: The Living Theatre (1968)
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
The Connection (1959)
A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
The Brig (1964)
Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.
This American Wife (2021)
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
Cour d'honneur de Jérôme Bel - Avignon 2013 (2013)
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
Rite of Guerrilla Theater (1969)
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
Paradise Now (1970)
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
Good Night, and Good Luck (2025)
Livestreamed from the penultimate show at the Winter Garden Theatre in New York City, this stage adaptation of George Clooney's 2005 film follows the story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.
Thanks For The Room (2025)
Laid off due to the viral illness sweeping the globe, Byron is barely holding his life together. With eviction looming and his marriage crumbling, he takes a job as a midnight courier at a pandemic hotel for the unhoused, hoping to scrape together enough cash to keep his family afloat.
Abigail Before Beatrice (2025)
An isolated woman is confronted by her past when a fellow former cult member reaches out with news that their leader has been released from prison early.
Tinnitus (2025)
Rose, a young woman who suffers from tinnitus, falls into an infernal spirale, as she is willing to do anything to make her ears stop ringing.
Johnny Belinda (1958)
In post-war Cape Breton, a doctor's efforts to tutor a deaf and mute woman are undermined when she is raped, and the resulting pregnancy causes scandal to swirl.